Chapter VII

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At Crome all the beds were ancient hereditary pieces of furniture. Huge beds, like four-masted ships, with furled sails of shining coloured stuff. Beds carved and inlaid, beds painted and gilded. Beds of walnut and oak, of rare exotic woods. Beds of every date and fashion from the time of Sir Ferdinando, who built the house, to the time of his namesake in the late eighteenth century, the last of the family, but all of them grandiose, magnificent.

The finest of all was now Anne's bed. Sir Julius, son to Sir Ferdinando, had had it made in Venice against his wife's first lying-in. Early seicento Venice had expended all its extravagant art in the making of it. The body of the bed was like a great square sarcophagus. Clustering roses were carved in high relief on its wooden panels, and luscious putti wallowed among the roses. On the black ground-work of the panels the carved reliefs were gilded and burnished. The golden roses twined in spirals up the four pillar-like posts, and cherubs, seated at the top of each column, supported a wooden canopy fretted with the same carved flowers.

Anne was reading in bed. Two candles stood on the little table beside her, in their rich light her face, her bare arm and shoulder took on warm hues and a sort of peach-like quality of surface. Here and there in the canopy above her carved golden petals shone brightly among profound shadows, and the soft light, falling on the sculptured panel of the bed, broke restlessly among the intricate roses, lingered in a broad caress on the blown cheeks, the dimpled bellies, the tight, absurd little posteriors of the sprawling putti.

There was a discreet tap at the door. She looked up. "Come in, come in." A face, round and childish, within its sleek bell of golden hair, peered round the opening door. More childish-looking still, a suit of mauve pyjamas made its entrance.

It was Mary. "I thought I'd just look in for a moment to say good-night," she said, and sat down on the edge of the bed.

Anne closed her book. "That was very sweet of you."

"What are you reading?" She looked at the book. "Rather second-rate, isn't it?" The tone in which Mary pronounced the word "second-rate" implied an almost infinite denigration. She was accustomed in London to associate only with first-rate people who liked first-rate things, and she knew that there were very, very few first-rate things in the world, and that those were mostly French.

"Well, I'm afraid I like it," said Anne. There was nothing more to be said. The silence that followed was a rather uncomfortable one. Mary fiddled uneasily with the bottom button of her pyjama jacket. Leaning back on her mound of heaped-up pillows, Anne waited and wondered what was coming.

"I'm so awfully afraid of repressions," said Mary at last, bursting suddenly and surprisingly into speech. She pronounced the words on the tail-end of an expiring breath, and had to gasp for new air almost before the phrase was finished.

"What's there to be depressed about?"

"I said repressions, not depressions."

"Oh, repressions; I see," said Anne. "But repressions of what?"