IN THE OPERA BOX

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It was one of the gala nights at Covent Garden Theatre, the first of the autumn season in this memorable year of grace 1792.

The house was packed, both in the smart orchestra boxes and in the pit, as well as in the more plebeian balconies and galleries above. Gluck's ORPHEUS made a strong appeal to the more intellectual portions of the house, whilst the fashionable women, the gaily-dressed and brilliant throng, spoke to the eye of those who cared but little for this "latest importation from Germany."

Selina Storace had been duly applauded after her grand ARIA by her numerous admirers; Benjamin Incledon, the acknowledged favourite of the ladies, had received special gracious recognition from the royal box; and now the curtain came down after the glorious finale to the second act, and the audience, which had hung spell-bound on the magic strains of the great maestro, seemed collectively to breathe a long sigh of satisfaction, previous to letting loose its hundreds of waggish and frivolous tongues. In the smart orchestra boxes many well-known faces were to be seen. Mr. Pitt, overweighted with cares of state, was finding brief relaxation in to-night's musical treat; the Prince of Wales, jovial, rotund, somewhat coarse and commonplace in appearance, moved about from box to box, spending brief quarters of an hour with those of his more intimate friends.

In Lord Grenville's box, too, a curious, interesting personality attracted everyone's attention; a thin, small figure with shrewd, sarcastic face and deep-set eyes, attentive to the music, keenly critical of the audience, dressed in immaculate black, with dark hair free from any powder. Lord Grenville--Foreign Secretary of State--paid him marked, though frigid deference.

Here and there, dotted about among distinctly English types of beauty, one or two foreign faces stood out in marked contrast: the haughty aristocratic cast of countenance of the many French royalist EMIGRES who, persecuted by the relentless, revolutionary faction of their country, had found a peaceful refuge in England. On these faces sorrow and care were deeply writ; the women especially paid but little heed, either to the music or to the brilliant audience; no doubt their thoughts were far away with husband, brother, son maybe, still in peril, or lately succumbed to a cruel fate.

Among these the Comtesse de Tournay de Basserive, but lately arrived from France, was a most conspicuous figure: dressed in deep, heavy black silk, with only a white lace kerchief to relieve the aspect of mourning about her person, she sat beside Lady Portarles, who was vainly trying by witty sallies and somewhat broad jokes, to bring a smile to the Comtesse's sad mouth. Behind her sat little Suzanne and the Vicomte, both silent and somewhat shy among so many strangers. Suzanne's eyes seemed wistful; when she first entered the crowded house, she had looked eagerly all around, scanning every face, scrutinised every box. Evidently the one face she wished to see was not there, for she settled herself quietly behind her mother, listened apathetically to the music, and took no further interest in the audience itself.

"Ah, Lord Grenville," said Lady Portarles, as following a discreet knock, the clever, interesting head of the Secretary of State appeared in the doorway of the box, "you could not arrive more _A_ PROPOS. Here is Madame la Comtesse de Tournay positively dying to hear the latest news from France."