Chapter II

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Eagle's Court, one of the highest canyons of the Sierras, was in reality a plateau of table-land, embayed like a green lake in a semi-circular sweep of granite, that, lifting itself three thousand feet higher, became a foundation for the eternal snows. The mountain genii of space and atmosphere jealously guarded its seclusion and surrounded it with illusions; it never looked to be exactly what it was: the traveller who saw it from the North Ridge apparently at his feet in descending found himself separated from it by a mile-long abyss and a rushing river; those who sought it by a seeming direct trail at the end of an hour lost sight of it completely, or, abandoning the quest and retracing their steps, suddenly came upon the gap through which it was entered. That which from the Ridge appeared to be a copse of bushes beside the tiny dwelling were trees three hundred feet high; the cultivated lawn before it, which might have been covered by the traveller's handkerchief, was a field of a thousand acres.

The house itself was a long, low, irregular structure, chiefly of roof and veranda, picturesquely upheld by rustic pillars of pine, with the bark still adhering, and covered with vines and trailing roses. Yet it was evident that the coolness produced by this vast extent of cover was more than the architect, who had planned it under the influence of a staring and bewildering sky, had trustfully conceived, for it had to be mitigated by blazing fires in open hearths when the thermometer marked a hundred degrees in the field beyond. The dry, restless wind that continually rocked the tall masts of the pines with a sound like the distant sea, while it stimulated out-door physical exertion and defied fatigue, left the sedentary dwellers in these altitudes chilled in the shade they courted, or scorched them with heat when they ventured to bask supinely in the sun. White muslin curtains at the French windows, and rugs, skins, and heavy furs dispersed in the interior, with certain other charming but incongruous details of furniture, marked the inconsistencies of the climate.

There was a coquettish indication of this in the costume of Miss Kate Scott as she stepped out on the veranda that morning. A man's broad-brimmed Panama hat, partly unsexed by a twisted gayly-colored scarf, but retaining enough character to give piquancy to the pretty curves of the face beneath, protected her from the sun; a red flannel shirt--another spoil from the enemy--and a thick jacket shielded her from the austerities of the morning breeze. But the next inconsistency was peculiarly her own. Miss Kate always wore the freshest and lightest of white cambric skirts, without the least reference to the temperature. To the practical sanatory remonstrances of her brother-in-law, and to the conventional criticism of her sister, she opposed the same defence: "How else is one to tell when it is summer in this ridiculous climate? And then, woollen is stuffy, color draws the sun, and one at least knows when one is clean or dirty." Artistically the result was far from unsatisfactory. It was a pretty figure under the sombre pines, against the gray granite and the steely sky, and seemed to lend the yellowing fields from which the flowers had already fled a floral relief of color. I do not think the few masculine wayfarers of that locality objected to it; indeed, some had betrayed an indiscreet admiration, and had curiously followed the invitation of Miss Kate's warmly-colored figure until they had encountered the invincible indifference of Miss Kate's cold gray eyes. With these manifestations her brother-in-law did not concern himself; he had perfect confidence in her unqualified disinterest in the neighboring humanity, and permitted her to wander in her solitary picturesqueness, or accompanied her when she rode in her dark green habit, with equal freedom from anxiety.