Chapter III

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The rising wind, which had ridden much faster than Mistress Thankful, had increased to a gale by the time it reached Morristown. It swept through the leafless maples, and rattled the dry bones of the elms. It whistled through the quiet Presbyterian churchyard, as if trying to arouse the sleepers it had known in days gone by. It shook the blank, lustreless windows of the Assembly Rooms over the Freemasons' Tavern, and wrought in their gusty curtains moving shadows of those amply petticoated dames and tightly hosed cavaliers who had swung in "Sir Roger," or jigged in "Money Musk," the night before.

But I fancy it was around the isolated "Ford Mansion," better known as the "headquarters," that the wind wreaked its grotesque rage. It howled under its scant eaves, it sang under its bleak porch, it tweaked the peak of its front gable, it whistled through every chink and cranny of its square, solid, unpicturesque structure. Situated on a hillside that descended rapidly to the Whippany River, every summer zephyr that whispered through the porches of the Morristown farm-houses charged as a stiff breeze upon the swinging half doors and windows of the "Ford Mansion"; every wintry wind became a gale that threatened its security. The sentry who paced before its front porch knew from experience when to linger under its lee, and adjust his threadbare outer coat to the bitter north wind.

Within the house something of this cheerlessness prevailed. It had an ascetic gloom, which the scant firelight of the reception-room, and the dying embers on the dining-room hearth, failed to dissipate. The central hall was broad, and furnished plainly with a few rush-bottomed chairs, on one of which half dozed a black body-servant of the commander-in-chief. Two officers in the dining-room, drawn close by the chimney-corner, chatted in undertones, as if mindful that the door of the drawing-room was open, and their voices might break in upon its sacred privacy. The swinging light in the hall partly illuminated it, or rather glanced gloomily from the black polished furniture, the lustreless chairs, the quaint cabinet, the silent spinet, the skeleton-legged centre-table, and finally upon the motionless figure of a man seated by the fire.

It was a figure since so well known to the civilized world, since so celebrated in print and painting, as to need no description here. Its rare combination of gentle dignity with profound force, of a set resoluteness of purpose with a philosophical patience, have been so frequently delivered to a people not particularly remarkable for these qualities, that I fear it has too often provoked a spirit of playful aggression, in which the deeper underlying meaning was forgotten. So let me add that in manner, physical equipoise, and even in the mere details of dress, this figure indicated a certain aristocratic exclusiveness. It was the presentment of a king,--a king who by the irony of circumstances was just then waging war against all kingship; a ruler of men, who just then was fighting for the right of these men to govern themselves, but whom by his own inherent right he dominated. From the crown of his powdered head to the silver buckle of his shoe he was so royal that it was not strange that his brother George of England and Hanover--ruling by accident, otherwise impiously known as the "grace of God"--could find no better way of resisting his power than by calling him "Mr. Washington."