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But the period of my dissipation would end and I always felt very sick
afterwards. It was followed by remorse--I tried to drive it away; I felt too
sick. By degrees, however, I grew used to that too. I grew used to
everything, or rather I voluntarily resigned myself to enduring it. But I
had a means of escape that reconciled everything--that was to find
refuge in "the sublime and the beautiful," in dreams, of course. I was a
terrible dreamer, I would dream for three months on end, tucked away in
my corner, and you may believe me that at those moments I had no
resemblance to the gentleman who, in the perturbation of his chicken
heart, put a collar of German beaver on his great-coat. I suddenly
became a hero. I would not have admitted my six-foot lieutenant even if
he had called on me. I could not even picture him before me then. What
were my dreams and how I could satisfy myself with them--it is hard to
say now, but at the time I was satisfied with them. Though, indeed, even
now, I am to some extent satisfied with them. Dreams were particularly
sweet and vivid after a spell of dissipation; they came with remorse and
with tears, with curses and transports. There were moments of such
positive intoxication, of such happiness, that there was not the faintest
trace of irony within me, on my honour. I had faith, hope, love. I
believed blindly at such times that by some miracle, by some external
circumstance, all this would suddenly open out, expand; that suddenly a
vista of suitable activity--beneficent, good, and, above all, READY MADE
(what sort of activity I had no idea, but the great thing was that it should
be all ready for me)--would rise up before me--and I should come out
into the light of day, almost riding a white horse and crowned with laurel.
Anything but the foremost place I could not conceive for myself, and for
that very reason I quite contentedly occupied the lowest in reality. Either
to be a hero or to grovel in the mud--there was nothing between. That
was my ruin, for when I was in the mud I comforted myself with the
thought that at other times I was a hero, and the hero was a cloak for the
mud: for an ordinary man it was shameful to defile himself, but a hero
was too lofty to be utterly defiled, and so he might defile himself. It is
worth noting that these attacks of the "sublime and the beautiful" visited
me even during the period of dissipation and just at the times when I was
touching the bottom. They came in separate spurts, as though reminding
me of themselves, but did not banish the dissipation by their appearance.
On the contrary, they seemed to add a zest to it by contrast, and were only
sufficiently present to serve as an appetising sauce. That sauce was made
up of contradictions and sufferings, of agonising inward analysis, and all
these pangs and pin-pricks gave a certain piquancy, even a significance to
my dissipation--in fact, completely answered the purpose of an appetising
sauce. There was a certain depth of meaning in it. And I could hardly
have resigned myself to the simple, vulgar, direct debauchery of a clerk
and have endured all the filthiness of it. What could have allured me
about it then and have drawn me at night into the street? No, I had a lofty
way of getting out of it all.
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