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The Angel Of The Revolution | George Chetwynd Griffith | |
At War With Society |
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When Richard Arnold reached the Embankment dusk had deepened into night, so far, at least, as nature was concerned. But in London in the beginning of the twentieth century there was but little night to speak of, save in the sense of a division of time. The date of the paper which contained the account of the tragedy on the Russian railway was September 3rd, 1903, and within the last ten years enormous progress had been made in electric lighting. The ebb and flow in the Thames had at last been turned to account, and worked huge turbines which perpetually stored up electric power that was used not only for lighting, but for cooking in hotels and private houses, and for driving machinery. At all the great centres of traffic huge electric suns cast their rays far and wide along the streets, supplementing the light of the lesser lamps with which they were lined on each side. The Embankment from Westminster to Blackfriars was bathed in a flood of soft white light from hundreds of great lamps running along both sides, and from the centre of each bridge a million candle-power sun cast rays upon the water that were continued in one unbroken stream of light from Chelsea to the Tower. On the north side of the river the scene was one of brilliant and splendid opulence, that contrasted strongly with the halflighted gloom of the murky wilderness of South London, dark and forbidding in its irredeemable ugliness. From Blackfriars Arnold walked briskly towards Westminster, bitterly contrasting as he went the lavish display of wealth around him with the sordid and seemingly hopeless poverty of his own desperate condition. |
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The Angel Of The Revolution George Chetwynd Griffith |
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