The Escape

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As the princess lay and sobbed she kept feeling the thread mechanically, following it with her finger many times up to the stones in which it disappeared. By and by she began, still mechanically, to poke her finger in after it between the stones as far as she could. All at once it came into her head that she might remove some of the stones and see where the thread went next. Almost laughing at herself for never having thought of this before, she jumped to her feet. Her fear vanished; once more she was certain her grandmother's thread could not have brought her there just to leave her there; and she began to throw away the stones from the top as fast as she could, sometimes two or three at a handful, sometimes taking both hands to lift one. After clearing them away a little, she found that the thread turned and went straight downwards. Hence, as the heap sloped a good deal, growing of course wider towards its base, she had to throw away a multitude of stones to follow the thread. But this was not all, for she soon found that the thread, after going straight down for a little way, turned first sideways in one direction, then sideways in another, and then shot, at various angles, hither and thither inside the heap, so that she began to be afraid that to clear the thread she must remove the whole huge gathering. She was dismayed at the very idea, but, losing no time, set to work with a will; and with aching back, and bleeding fingers and hands, she worked on, sustained by the pleasure of seeing the heap slowly diminish and begin to show itself on the opposite side of the fire. Another thing which helped to keep up her courage was that, as often as she uncovered a turn of the thread, instead of lying loose upon the stone, it tightened up; this made her sure that her grandmother was at the end of it somewhere.

She had got about half-way down when she started, and nearly fell with fright. Close to her ears as it seemed, a voice broke out singing:

'Jabber, bother, smash!
You'll have it all in a crash.
Jabber, smash, bother!
You'll have the worst of the pother.
Smash, bother, jabber! -'

Here Curdie stopped, either because he could not find a rhyme to 'jabber', or because he remembered what he had forgotten when he woke up at the sound of Irene's labours, that his plan was to make the goblins think he was getting weak. But he had uttered enough to let Irene know who he was.

'It's Curdie!' she cried joyfully.

'Hush! hush!' came Curdie's voice again from somewhere. 'Speak softly.'

'Why, you were singing loud!' said Irene.

'Yes. But they know I am here, and they don't know you are. Who are you?'

'I'm Irene,' answered the princess. 'I know who you are quite well. You're Curdie.'