The Accuser

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As Syme strode along the corridor he saw the Secretary standing at the top of a great flight of stairs. The man had never looked so noble. He was draped in a long robe of starless black, down the centre of which fell a band or broad stripe of pure white, like a single shaft of light. The whole looked like some very severe ecclesiastical vestment. There was no need for Syme to search his memory or the Bible in order to remember that the first day of creation marked the mere creation of light out of darkness. The vestment itself would alone have suggested the symbol; and Syme felt also how perfectly this pattern of pure white and black expressed the soul of the pale and austere Secretary, with his inhuman veracity and his cold frenzy, which made him so easily make war on the anarchists, and yet so easily pass for one of them. Syme was scarcely surprised to notice that, amid all the ease and hospitality of their new surroundings, this man's eyes were still stern. No smell of ale or orchards could make the Secretary cease to ask a reasonable question.

If Syme had been able to see himself, he would have realised that he, too, seemed to be for the first time himself and no one else. For if the Secretary stood for that philosopher who loves the original and formless light, Syme was a type of the poet who seeks always to make the light in special shapes, to split it up into sun and star. The philosopher may sometimes love the infinite; the poet always loves the finite. For him the great moment is not the creation of light, but the creation of the sun and moon.

As they descended the broad stairs together they overtook Ratcliffe, who was clad in spring green like a huntsman, and the pattern upon whose garment was a green tangle of trees. For he stood for that third day on which the earth and green things were made, and his square, sensible face, with its not unfriendly cynicism, seemed appropriate enough to it.

They were led out of another broad and low gateway into a very large old English garden, full of torches and bonfires, by the broken light of which a vast carnival of people were dancing in motley dress. Syme seemed to see every shape in Nature imitated in some crazy costume. There was a man dressed as a windmill with enormous sails, a man dressed as an elephant, a man dressed as a balloon; the two last, together, seemed to keep the thread of their farcical adventures. Syme even saw, with a queer thrill, one dancer dressed like an enormous hornbill, with a beak twice as big as himself--the queer bird which had fixed itself on his fancy like a living question while he was rushing down the long road at the Zoological Gardens. There were a thousand other such objects, however. There was a dancing lamp-post, a dancing apple tree, a dancing ship. One would have thought that the untamable tune of some mad musician had set all the common objects of field and street dancing an eternal jig. And long afterwards, when Syme was middle-aged and at rest, he could never see one of those particular objects--a lamppost, or an apple tree, or a windmill-- without thinking that it was a strayed reveller from that revel of masquerade.