THE FIRST HALF-HOUR

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What had happened? What effect had this frightful shock produced? Had the ingenuity of the constructors of the projectile obtained any happy result? Had the shock been deadened, thanks to the springs, the four plugs, the water-cushions, and the partition-breaks? Had they been able to subdue the frightful pressure of the initiatory speed of more than 11,000 yards, which was enough to traverse Paris or New York in a second? This was evidently the question suggested to the thousand spectators of this moving scene. They forgot the aim of the journey, and thought only of the travelers. And if one of them-- Joseph T. Maston for example-- could have cast one glimpse into the projectile, what would he have seen?

Nothing then. The darkness was profound. But its cylindro-conical partitions had resisted wonderfully. Not a rent or a dent anywhere! The wonderful projectile was not even heated under the intense deflagration of the powder, nor liquefied, as they seemed to fear, in a shower of aluminum.

The interior showed but little disorder; indeed, only a few objects had been violently thrown toward the roof; but the most important seemed not to have suffered from the shock at all; their fixtures were intact.

On the movable disc, sunk down to the bottom by the smashing of the partition-breaks and the escape of the water, three bodies lay apparently lifeless. Barbicane, Nicholl, and Michel Ardan-- did they still breathe? or was the projectile nothing now but a metal coffin, bearing three corpses into space?

Some minutes after the departure of the projectile, one of the bodies moved, shook its arms, lifted its head, and finally succeeded in getting on its knees. It was Michel Ardan. He felt himself all over, gave a sonorous "Hem!" and then said:

"Michel Ardan is whole. How about the others?"

The courageous Frenchman tried to rise, but could not stand. His head swam, from the rush of blood; he was blind; he was a drunken man.

"Bur-r!" said he. "It produces the same effect as two bottles of Corton, though perhaps less agreeable to swallow." Then, passing his hand several times across his forehead and rubbing his temples, he called in a firm voice:

"Nicholl! Barbicane!"

He waited anxiously. No answer; not even a sigh to show that the hearts of his companions were still beating. He called again. The same silence.

"The devil!" he exclaimed. "They look as if they had fallen from a fifth story on their heads. Bah!" he added, with that imperturbable confidence which nothing could check, "if a Frenchman can get on his knees, two Americans ought to be able to get on their feet. But first let us light up."

Ardan felt the tide of life return by degrees. His blood became calm, and returned to its accustomed circulation. Another effort restored his equilibrium. He succeeded in rising, drew a match from his pocket, and approaching the burner lighted it. The receiver had not suffered at all. The gas had not escaped. Besides, the smell would have betrayed it; and in that case Michel Ardan could not have carried a lighted match with impunity through the space filled with hydrogen. The gas mixing with the air would have produced a detonating mixture, and the explosion would have finished what the shock had perhaps begun. When the burner was lit, Ardan leaned over the bodies of his companions: they were lying one on the other, an inert mass, Nicholl above, Barbicane underneath.