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The Voice of the City | O Henry | |
A Comedy In Rubber |
Page 1 of 3 |
One may hope, in spite of the metaphorists, to avoid the breath of the deadly upas tree; one may, by great good fortune, succeed in blacking the eye of the basilisk; one might even dodge the attentions of Cerberus and Argus, but no man, alive or dead, can escape the gaze of the Rubberer. New York is the Caoutchouc City. There are many, of course, who go their ways, making money, without turning to the right or the left, but there is a tribe abroad wonderfully composed, like the Martians, solely of eyes and means of locomotion. These devotees of curiosity swarm, like flies, in a moment in a struggling, breathless circle about the scene of an unusual occurrence. If a workman opens a manhole, if a street car runs over a man from North Tarrytown, if a little boy drops an egg on his way home from the grocery, if a casual house or two drops into the subway, if a lady loses a nickel through a hole in the lisle thread, if the police drag a telephone and a racing chart forth from an Ibsen Society reading-room, if Senator Depew or Mr. Chuck Connors walks out to take the air - if any of these incidents or accidents takes place, you will see the mad, irresistible rush of the "rubber" tribe to the spot. The importance of the event does not count. They gaze with equal interest and absorption at a chorus girl or at a man painting a liver pill sign. They will form as deep a cordon around a man with a club-foot as they will around a balked automobile. They have the furor rubberendi. They are optical gluttons, feasting and fattening on the misfortunes of their fellow beings. They gloat and pore and glare and squint and stare with their fishy eyes like goggle-eyed perch at the book baited with calamity. |
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The Voice of the City O Henry |
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