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Fire-Tongue | Sax Rohmer | |
The Veil Is Raised |
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Rising from the writing table in the library, Paul Harley crossed to the mantelpiece and stared long and hungrily at a photograph in a silver frame. So closely did he concentrate upon it that he induced a sort of auto-hypnosis, so that Phil Abingdon seemed to smile at him sadly. Then a shadow appeared to obscure the piquant face. The soft outline changed, subtly; the lips grew more full, became voluptuous; the eyes lengthened and grew languorous. He found himself looking into the face of Ormuz Khan. "Damn it!" he muttered, awakened from his trance. He turned aside, conscious of a sudden, unaccountable chill. It might have been caused by the mental picture which he had conjured up, or it might be another of those mysterious warnings of which latterly he had had so many without encountering any positive danger. He stood quite still, listening. Afterward he sometimes recalled that moment, and often enough asked himself what he had expected to hear. It was from this room, on an earlier occasion, that he had heard the ominous movements in the apartment above. To-day he heard nothing. "Benson," he called, opening the library door. As the man came along the hall: "I have written a note to Mr. Innes, my secretary," he explained. "There it is, on the table. When the district messenger, for whom you telephoned, arrives, give him the parcel and the note. He is to accept no other receipt than that of Mr. Innes." "Very good, sir." Harley took his hat and cane, and Benson opened the front door. "Good day, sir," said the butler. "Good day, Benson," called Harley, hurrying out to the waiting cab. "Number 236 South Lambeth Road," he directed the man. |
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Fire-Tongue Sax Rohmer |
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