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In her low deck-chair Anne was nearer to lying than to sitting.
Her long, slender body reposed in an attitude of listless and
indolent grace. Within its setting of light brown hair her face
had a pretty regularity that was almost doll-like. And indeed
there were moments when she seemed nothing more than a doll; when
the oval face, with its long-lashed, pale blue eyes, expressed
nothing; when it was no more than a lazy mask of wax. She was
Henry Wimbush's own niece; that bowler-like countenance was one
of the Wimbush heirlooms; it ran in the family, appearing in its
female members as a blank doll-face. But across this dollish
mask, like a gay melody dancing over an unchanging fundamental
bass, passed Anne's other inheritance--quick laughter, light
ironic amusement, and the changing expressions of many moods.
She was smiling now as Denis looked down at her: her cat's
smile, he called it, for no very good reason. The mouth was
compressed, and on either side of it two tiny wrinkles had formed
themselves in her cheeks. An infinity of slightly malicious
amusement lurked in those little folds, in the puckers about the
half-closed eyes, in the eyes themselves, bright and laughing
between the narrowed lids.
The preliminary greetings spoken, Denis found an empty chair
between Gombauld and Jenny and sat down.
"How are you, Jenny?" he shouted to her.
Jenny nodded and smiled in mysterious silence, as though the
subject of her health were a secret that could not be publicly
divulged.
"How's London been since I went away?" Anne inquired from the
depth of her chair.
The moment had come; the tremendously amusing narrative was
waiting for utterance. "Well," said Denis, smiling happily, "to
begin with..."
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