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Once at the top of the long hill which led up from Camlet
station, he felt his spirits mounting. The world, he found, was
good. The far-away blue hills, the harvests whitening on the
slopes of the ridge along which his road led him, the treeless
sky-lines that changed as he moved--yes, they were all good. He
was overcome by the beauty of those deeply embayed combes,
scooped in the flanks of the ridge beneath him. Curves, curves:
he repeated the word slowly, trying as he did so to find some
term in which to give expression to his appreciation. Curves--
no, that was inadequate. He made a gesture with his hand, as
though to scoop the achieved expression out of the air, and
almost fell off his bicycle. What was the word to describe the
curves of those little valleys? They were as fine as the lines
of a human body, they were informed with the subtlety of art...
Galbe. That was a good word; but it was French. Le galbe evase
de ses hanches: had one ever read a French novel in which that
phrase didn't occur? Some day he would compile a dictionary for
the use of novelists. Galbe, gonfle, goulu: parfum, peau,
pervers, potele, pudeur: vertu, volupte.
But he really must find that word. Curves curves...Those little
valleys had the lines of a cup moulded round a woman's breast;
they seemed the dinted imprints of some huge divine body that had
rested on these hills. Cumbrous locutions, these; but through
them he seemed to be getting nearer to what he wanted. Dinted,
dimpled, wimpled--his mind wandered down echoing corridors of
assonance and alliteration ever further and further from the
point. He was enamoured with the beauty of words.
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