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Crome Yellow Aldous Huxley

Chapter XVII


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Denis made his way down the hill.

"Any damage done?" he called out.

"Is that you, Denis? I've hurt my ankle so--and my knee, and my hand. I'm all in pieces."

"My poor Anne," he said. "But then," he couldn't help adding, "it was silly to start running downhill in the dark."

"Ass!" she retorted in a tone of tearful irritation; "of course it was."

He sat down beside on the grass, and found himself breathing the faint, delicious atmosphere of perfume that she carried always with her.

"Light a match," she commanded. "I want to look at my wounds."

He felt in his pockets for the match-box. The light spurted and then grew steady. Magically, a little universe had been created, a world of colours and forms--Anne's face, the shimmering orange of her dress, her white, bare arms, a patch of green turf--and round about a darkness that had become solid and utterly blind. Anne held out her hands; both were green and earthy with her fall, and the left exhibited two or three red abrasions.

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"Not so bad," she said. But Denis was terribly distressed, and his emotion was intensified when, looking up at her face, he saw that the trace of tears, involuntary tears of pain, lingered on her eyelashes. He pulled out his handkerchief and began to wipe away the dirt from the wounded hand. The match went out; it was not worth while to light another. Anne allowed herself to be attended to, meekly and gratefully. "Thank you," she said, when he had finished cleaning and bandaging her hand; and there was something in her tone that made him feel that she had lost her superiority over him, that she was younger than he, had become, suddenly, almost a child. He felt tremendously large and protective. The feeling was so strong that instinctively he put his arm about her. She drew closer, leaned against him, and so they sat in silence. Then, from below, soft but wonderfully clear through the still darkness, they heard the sound of Ivor's singing. He was going on with his half-finished song:

"Le lendemain Phillis plus tendre,
Ne voulant deplaire au berger,
Fut trop heureuse de lui rendre
Trente moutons pour un baiser."

There was a rather prolonged pause. It was as though time were being allowed for the giving and receiving of a few of those thirty kisses. Then the voice sang on:

"Le lendemain Phillis peu sage
Aurait donne moutons et chien
Pour un baiser que le volage
A Lisette donnait pour rien."

The last note died away into an uninterrupted silence.

"Are you better?" Denis whispered. "Are you comfortable like this?"

She nodded a Yes to both questions.

"Trente moutons pour un baiser." The sheep, the woolly mutton-- baa, baa, baa...? Or the shepherd? Yes, decidedly, he felt himself to be the shepherd now. He was the master, the protector. A wave of courage swelled through him, warm as wine. He turned his head, and began to kiss her face, at first rather randomly, then, with more precision, on the mouth.

 
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Crome Yellow
Aldous Huxley

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