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"You know I have not. If I have been as closely followed as you say,
you must know why I spoke to that girl and others, why I went to the
house of the Schoenmakers and--Do you know?" he suddenly inquired.
Mr. Gryce was not the man to answer such a question as that. He eyed
the rich signet ring that adorned the hand of the gentleman before
him and suavely smiled. "I am ready to listen to any explanations,"
said he.
Mr. Blake's haughty countenance became almost stern. "You consider
you have a right to demand them; let me hear why."
"Well," said Mr. Gryce with a change of tone, "you shall.
Unprofessional as it is, I will tell you why I, a member of the
police force, dare enter the house of such a man as you are, and put
him the questions I have concerning his domestic affairs. Mr. Blake,
imagine yourself in a detective's office. A woman comes in, the
housekeeper of a respected citizen, and informs us that a girl
employed by her as seamstress has disappeared in a very unaccountable
way from her master's house the night before; in fact been abducted
as she thinks from certain evidences, through the window. Her manner
is agitated, her appeal for assistance urgent, though she
acknowledges no relationship to the girl or expresses any especial
cause for her interest beyond that of common humanity. 'She must be
found,' she declares, and hints that any sum necessary will be
forthcoming, though from what source after her own pittance is
expended she does not state. When asked if her master has no
interest in the matter, she changes color and puts us off. He never
noticed his servants, left all such concerns to her, etc.; but shows
fear when a proposition is made to consult him. Next imagine yourself
with the detectives in that gentleman's house. You enter the girl's
room; what is the first thing you observe? Why that it is not only one
of the best in the house, but that it is conspicuous for its comforts
if not for its elegancies. More than that, that there are books of
poetry and history lying around, showing that the woman who inhabited
it was above her station; a fact which the housekeeper is presently
brought to acknowledge. You notice also that the wild surmise of her
abduction by means of the window, has some ground in appearance,
though the fact that she went with entire unwillingness is not made
so apparent. The housekeeper, however, insists in a way that must have
had some special knowledge of the girl's character or circumstances
to back it, that she never went without compulsion; a statement which
the torn curtains and the track of blood over the roof of the
extension, would seem to emphasize. A few other facts are made
known. First, a pen-knife is picked up from the grass plot in the
yard beneath, showing with what instrument the wound was inflicted,
whose drippings made those marks of blood alluded to. It was a
pearl-handled knife belonging to the writing desk found open on her
table, and its frail and dainty character proved indisputably, that it
was employed by the girl herself, and that against manifest enemies;
no man being likely to snatch up any such puny weapon for the purpose
either of offence or defence. That these enemies were two and were
both men, was insisted upon by Mrs. Daniels who overheard their
voices the night before.
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