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Part I | Baroness Emmuska Orczy | |
V The Temple Prison |
Page 2 of 5 |
From the dim distance far away came at intervals the mournful sound of a roll of muffled drums, half veiled by the intervening hubbub of the busy night life of the great city. It proceeded from the Place de la Revolution, where a company of the National Guard were on night watch round the guillotine. The dull, intermittent notes of the drum came as a reminder to the free people of France that the watchdog of a vengeful revolution was alert night and day, never sleeping, ever wakeful, "beating up game for the guillotine," as the new decree framed to-day by the Government of the people had ordered that it should do. From time to time now the silence of this lonely street was broken by a sudden cry of terror, followed by the clash of arms, the inevitable volley of oaths, the call for help, the final moan of anguish. They were the ever-recurring brief tragedies which told of denunciations, of domiciliary search, of sudden arrests, of an agonising desire for life and for freedom--for life under these same horrible conditions of brutality and of servitude, for freedom to breathe, if only a day or two longer, this air, polluted by filth and by blood. De Batz, hardened to these scenes, paid no heed to them. He had heard it so often, that cry in the night, followed by death-like silence; it came from comfortable bourgeois houses, from squalid lodgings, or lonely cul-de-sac, wherever some hunted quarry was run to earth by the newly-organised spies of the Committee of General Security. Five and thirty livres for every head that falls trunkless into the basket at the foot of the guillotine! Five and thirty pieces of silver, now as then, the price of innocent blood. Every cry in the night, every call for help, meant game for the guillotine, and five and thirty livres in the hands of a Judas. |
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El Dorado Baroness Emmuska Orczy |
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