IN THE OPERA BOX

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A discreet knock at the door roused her from her enjoyment.

"Come in," she said with some impatience, without turning to look at the intruder.

Chauvelin, waiting for his opportunity, noted that she was alone, and now, without pausing for that impatient "Come in," he quietly slipped into the box, and the next moment was standing behind Marguerite's chair.

"A word with you, citoyenne," he said quietly.

Marguerite turned quickly, in alarm, which was not altogether feigned.

"Lud, man! you frightened me," she said with a forced little laugh, "your presence is entirely inopportune. I want to listen to Gluck, and have no mind for talking."

"But this is my only opportunity," he said, as quietly, and without waiting for permission, he drew a chair close behind her--so close that he could whisper in her ear, without disturbing the audience, and without being seen, in the dark background of the box. "This is my only opportunity," he repeated, as he vouchsafed him no reply, "Lady Blakeney is always so surrounded, so FETED by her court, that a mere old friend has but very little chance."

"Faith, man!" she said impatiently, "you must seek for another opportunity then. I am going to Lord Grenville's ball to-night after the opera. So are you, probably. I'll give you five minutes then. . . ."

"Three minutes in the privacy of this box are quite sufficient for me," he rejoined placidly, "and I think that you will be wise to listen to me, Citoyenne St. Just."

Marguerite instinctively shivered. Chauvelin had not raised his voice above a whisper; he was now quietly taking a pinch of snuff, yet there was something in his attitude, something in those pale, foxy eyes, which seemed to freeze the blood in her veins, as would the sight of some deadly hitherto unguessed peril. "Is that a threat, citoyen?" she asked at last.

"Nay, fair lady," he said gallantly, "only an arrow shot into the air."

He paused a moment, like a cat which sees a mouse running heedlessly by, ready to spring, yet waiting with that feline sense of enjoyment of mischief about to be done. Then he said quietly--

"Your brother, St. Just, is in peril."

Not a muscle moved in the beautiful face before him. He could only see it in profile, for Marguerite seemed to be watching the stage intently, but Chauvelin was a keen observer; he noticed the sudden rigidity of the eyes, the hardening of the mouth, the sharp, almost paralysed tension of the beautiful, graceful figure.

"Lud, then," she said with affected merriment, "since `tis one of your imaginary plots, you'd best go back to your own seat and leave me enjoy the music."

And with her hand she began to beat time nervously against the cushion of the box. Selina Storace was singing the "Che faro" to an audience that hung spellbound upon the prima donna's lips. Chauvelin did not move from his seat; he quietly watched that tiny nervous hand, the only indication that his shaft had indeed struck home.