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Then followed to Clarence three uneventful years. During that
interval he learnt that Jackson Brant, or Don Juan Robinson--for
the tie of kinship was the least factor in their relations to each
other, and after the departure of Flynn was tacitly ignored by
both--was more Spanish than American. An early residence in Lower
California, marriage with a rich Mexican widow, whose dying
childless left him sole heir, and some strange restraining
idiosyncrasy of temperament had quite denationalized him. A
bookish recluse, somewhat superfastidious towards his own
countrymen, the more Clarence knew him the more singular appeared
his acquaintance with Flynn; but as he did not exhibit more
communicativeness on this point than upon their own kinship,
Clarence finally concluded that it was due to the dominant
character of his former friend, and thought no more about it. He
entered upon the new life at El Refugio with no disturbing past.
Quickly adapting himself to the lazy freedom of this hacienda
existence, he spent the mornings on horseback ranging the hills
among his cousin's cattle, and the afternoons and evenings busied
among his cousin's books with equally lawless and undisciplined
independence. The easy-going Don Juan, it is true, attempted to
make good his rash promise to teach the boy Spanish, and actually
set him a few tasks; but in a few weeks the quick-witted Clarence
acquired such a colloquial proficiency from his casual acquaintance
with vaqueros and small traders that he was glad to leave the
matter in his young kinsman's hands. Again, by one of those
illogical sequences which make a lifelong reputation depend upon a
single trivial act, Clarence's social status was settled forever at
El Refugio Rancho by his picturesque diversion of Flynn's parting
gift. The grateful peon to whom the boy had scornfully tossed the
coin repeated the act, gesture, and spirit of the scene to his
companion, and Don Juan's unknown and youthful relation was at once
recognized as hijo de la familia, and undeniably a hidalgo born and
bred. But in the more vivid imagination of feminine El Refugio the
incident reached its highest poetic form. "It is true, Mother of
God," said Chucha of the Mill; "it was Domingo who himself relates
it as it were the Creed. When the American escort had arrived with
the young gentleman, this escort, look you, being not of the same
quality, he is departing again without a word of permission. Comes
to him at this moment my little hidalgo. 'You have yourself
forgotten to take from me your demission,' he said. This escort,
thinking to make his peace with a mere muchacho, gives to him a
gold piece of twenty pesos. The little hidalgo has taken it SO,
and with the words, 'Ah! you would make of me your almoner to my
cousin's people,' has given it at the moment to Domingo, and with a
grace and fire admirable." But it is certain that Clarence's
singular simplicity and truthfulness, a faculty of being
picturesquely indolent in a way that suggested a dreamy abstraction
of mind rather than any vulgar tendency to bodily ease and comfort,
and possibly the fact that he was a good horseman, made him a
popular hero at El Refugio. At the end of three years Don Juan
found that this inexperienced and apparently idle boy of fourteen
knew more of the practical ruling of the rancho than he did
himself; also that this unlettered young rustic had devoured nearly
all the books in his library with boyish recklessness of digestion.
He found, too, that in spite of his singular independence of
action, Clarence was possessed of an invincible loyalty of
principle, and that, asking no sentimental affection, and indeed
yielding none, he was, without presuming on his relationship,
devoted to his cousin's interest. It seemed that from being a
glancing ray of sunshine in the house, evasive but never obtrusive,
he had become a daily necessity of comfort and security to his
benefactor.
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