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Devil's Ford | Bret Harte | |
Chapter II |
Page 4 of 9 |
"We got a billiard-table over from Stockton," half bashfully interrupted Dick Mattingly, struggling from his end of the trunk to recover his composure, "and it had to be brought over in sections on the back of a mule, so I don't see why--" He stopped short again in confusion, at a sign from his brother, and then added, "I mean, of course, that a piano is a heap more delicate, and valuable, and all that sort of thing, but it's worth trying for." "Fairfax was always saying he'd get one for himself, so I reckon it's possible," said Joe. "Does he play?" asked Christie. "You bet," said Joe, quite forgetting himself in his enthusiasm. "He can snatch Mozart and Beethoven bald-headed." In the embarrassing silence that followed this speech the fringe of pine wood nearest the flat was reached. Here there was a rude "clearing," and beneath an enormous pine stood the two recently joined tenements. There was no attempt to conceal the point of junction between Kearney's cabin and the newly-transported saloon from the flat--no architectural illusion of the palpable collusion of the two buildings, which seemed to be telescoped into each other. The front room or living room occupied the whole of Kearney's cabin. It contained, in addition to the necessary articles for housekeeping, a "bunk" or berth for Mr. Carr, so as to leave the second building entirely to the occupation of his daughters as bedroom and boudoir. |
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Devil's Ford Bret Harte |
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