Chapter I -- The Mortals In The House

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"Who was Master B.?" I asked. "Is it known what he did while the owl hooted?"

"Rang the bell," said Ikey.

I was rather struck by the prompt dexterity with which this young man pitched his fur cap at the bell, and rang it himself. It was a loud, unpleasant bell, and made a very disagreeable sound. The other bells were inscribed according to the names of the rooms to which their wires were conducted: as "Picture Room," "Double Room," "Clock Room," and the like. Following Master B.'s bell to its source I found that young gentleman to have had but indifferent third-class accommodation in a triangular cabin under the cock-loft, with a corner fireplace which Master B. must have been exceedingly small if he were ever able to warm himself at, and a corner chimney-piece like a pyramidal staircase to the ceiling for Tom Thumb. The papering of one side of the room had dropped down bodily, with fragments of plaster adhering to it, and almost blocked up the door. It appeared that Master B., in his spiritual condition, always made a point of pulling the paper down. Neither the landlord nor Ikey could suggest why he made such a fool of himself.

Except that the house had an immensely large rambling loft at top, I made no other discoveries. It was moderately well furnished, but sparely. Some of the furniture--say, a third--was as old as the house; the rest was of various periods within the last half-century. I was referred to a corn-chandler in the market-place of the county town to treat for the house. I went that day, and I took it for six months.

It was just the middle of October when I moved in with my maiden sister (I venture to call her eight-and-thirty, she is so very handsome, sensible, and engaging). We took with us, a deaf stable-man, my bloodhound Turk, two women servants, and a young person called an Odd Girl. I have reason to record of the attendant last enumerated, who was one of the Saint Lawrence's Union Female Orphans, that she was a fatal mistake and a disastrous engagement.

The year was dying early, the leaves were falling fast, it was a raw cold day when we took possession, and the gloom of the house was most depressing. The cook (an amiable woman, but of a weak turn of intellect) burst into tears on beholding the kitchen, and requested that her silver watch might be delivered over to her sister (2 Tuppintock's Gardens, Liggs's Walk, Clapham Rise), in the event of anything happening to her from the damp. Streaker, the housemaid, feigned cheerfulness, but was the greater martyr. The Odd Girl, who had never been in the country, alone was pleased, and made arrangements for sowing an acorn in the garden outside the scullery window, and rearing an oak.

We went, before dark, through all the natural--as opposed to supernatural--miseries incidental to our state. Dispiriting reports ascended (like the smoke) from the basement in volumes, and descended from the upper rooms. There was no rolling-pin, there was no salamander (which failed to surprise me, for I don't know what it is), there was nothing in the house, what there was, was broken, the last people must have lived like pigs, what could the meaning of the landlord be? Through these distresses, the Odd Girl was cheerful and exemplary. But within four hours after dark we had got into a supernatural groove, and the Odd Girl had seen "Eyes," and was in hysterics.