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'I will let you get anything you like, including a composing
draught for yourself,' said Thomas, irritably alluding to his
fellow-apprentice's inexhaustible activity, 'if you will only sit
quiet for five minutes longer, and hear me out. I say again the
horse is a betrayer of the confidence reposed in him; and that
opinion, let me add, is drawn from my own personal experience, and
is not based on any fanciful theory whatever. You shall have two
instances, two overwhelming instances. Let me start the first of
these by asking, what is the distinguishing quality which the
Shetland Pony has arrogated to himself, and is still perpetually
trumpeting through the world by means of popular report and books
on Natural History? I see the answer in your face: it is the
quality of being Sure-Footed. He professes to have other virtues,
such as hardiness and strength, which you may discover on trial;
but the one thing which he insists on your believing, when you get
on his back, is that he may be safely depended on not to tumble
down with you. Very good. Some years ago, I was in Shetland with
a party of friends. They insisted on taking me with them to the
top of a precipice that overhung the sea. It was a great distance
off, but they all determined to walk to it except me. I was wiser
then than I was with you at Carrock, and I determined to be carried
to the precipice. There was no carriage-road in the island, and
nobody offered (in consequence, as I suppose, of the imperfectly-civilised
state of the country) to bring me a sedan-chair, which is
naturally what I should have liked best. A Shetland pony was
produced instead. I remembered my Natural History, I recalled
popular report, and I got on the little beast's back, as any other
man would have done in my position, placing implicit confidence in
the sureness of his feet. And how did he repay that confidence?
Brother Francis, carry your mind on from morning to noon. Picture
to yourself a howling wilderness of grass and bog, bounded by low
stony hills. Pick out one particular spot in that imaginary scene,
and sketch me in it, with outstretched arms, curved back, and heels
in the air, plunging headforemost into a black patch of water and
mud. Place just behind me the legs, the body, and the head of a
sure-footed Shetland pony, all stretched flat on the ground, and
you will have produced an accurate representation of a very
lamentable fact. And the moral device, Francis, of this picture
will be to testify that when gentlemen put confidence in the legs
of Shetland ponies, they will find to their cost that they are
leaning on nothing but broken reeds. There is my first instance -
and what have you got to say to that?'
'Nothing, but that I want my hat,' answered Goodchild, starting up
and walking restlessly about the room.
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