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Carry On | Coningsby Dawson | |
Introduction |
Page 2 of 5 |
Another novel, The Raft, followed The Garden Without Walls. The nature of his life now seemed fixed. To the task of novel-writing he had brought a temperament highly idealistic and romantic, a fresh and vivid imagination, and a thorough literary equipment. His life, as he planned it, held but one purpose for him, outside the warmth and tenacity of its affections--the triumph of the efficient purpose in the adequate expression of his mind in literature. The austerity of his long years of preparation had left him relatively indifferent to the common prizes of life, though they had done nothing to lessen his intense joy in life. His whole mind was concentrated on his art. His adventures would be the adventures of the mind in search of ampler modes of expression. His crusades would be the crusades of the spirit in search of the realities of truth. He had received the public recognition which gave him faith in himself and faith in his ability to achieve the reputation of the true artist, whose work is not cheapened but dignified and broadened by success. So he read the future, and so his critics read it for him. And then, sudden and unheralded, there broke on this quiet life of intellectual devotion the great storm of 1914. The guns that roared along the Marne shattered all his purposes, and left him face to face with a solemn spiritual exigency which admitted no equivocation. |
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Carry On Coningsby Dawson |
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