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From London to Land's End | Daniel Defoe | |
From London to Land's End |
Page 9 of 57 |
The choir of the church appears very magnificent; the roof is very high, and the Gothic work in the arched part is very fine, though very old; the painting in the windows is admirably good, and easy to be distinguished by those that understand those things: the steps ascending to the choir make a very fine show, having the statues of King James and his son King Charles, in copper, finely cast; the first on the right hand, and the other on the left, as you go up to the choir. The choir is said to be the longest in England; and as the number of prebendaries, canons, &c., are many, it required such a length. The ornaments of the choir are the effects of the bounty of several bishops. The fine altar (the noblest in England by much) was done by Bishop Morley; the roof and the coat-of-arms of the Saxon and Norman kings were done by Bishop Fox; and the fine throne for the bishop in the choir was given by Bishop Mew in his lifetime; and it was well it was for if he had ordered it by will, there is reason to believe it had never been done--that reverend prelate, notwithstanding he enjoyed so rich a bishopric, scarce leaving money enough behind him to pay for his coffin. |
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From London to Land's End Daniel Defoe |
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