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"No, I suppose not." He laid down the book he had been
wiping, and stood considering her in silence. She
wondered if Miss Hatchard had sent him round to pry
into the way the library was looked after, and the
suspicion increased her resentment. "I saw you going
into her house just now, didn't I?" she asked, with the
New England avoidance of the proper name. She was
determined to find out why he was poking about among
her books.
"Miss Hatchard's house? Yes--she's my cousin and I'm
staying there," the young man answered; adding, as if
to disarm a visible distrust: "My name is Harney--
Lucius Harney. She may have spoken of me."
"No, she hasn't," said Charity, wishing she could have
said: "Yes, she has."
"Oh, well----" said Miss Hatchard's cousin with a
laugh; and after another pause, during which it
occurred to Charity that her answer had not been
encouraging, he remarked: "You don't seem strong on
architecture."
Her bewilderment was complete: the more she wished to
appear to understand him the more unintelligible his
remarks became. He reminded her of the gentleman who
had "explained" the pictures at Nettleton, and the
weight of her ignorance settled down on her again like
a pall.
"I mean, I can't see that you have any books on the old
houses about here. I suppose, for that matter, this
part of the country hasn't been much explored. They
all go on doing Plymouth and Salem. So stupid. My
cousin's house, now, is remarkable. This place must
have had a past--it must have been more of a place
once." He stopped short, with the blush of a shy man
who overhears himself, and fears he has been voluble.
"I'm an architect, you see, and I'm hunting up old
houses in these parts."
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