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It was not May's fault, poor dear. If, now and then,
during their travels, they had fallen slightly out of step,
harmony had been restored by their return to the
conditions she was used to. He had always foreseen that
she would not disappoint him; and he had been right.
He had married (as most young men did) because he
had met a perfectly charming girl at the moment when
a series of rather aimless sentimental adventures were
ending in premature disgust; and she had represented
peace, stability, comradeship, and the steadying sense
of an unescapable duty.
He could not say that he had been mistaken in his
choice, for she had fulfilled all that he had expected. It
was undoubtedly gratifying to be the husband of one of
the handsomest and most popular young married women
in New York, especially when she was also one of the
sweetest-tempered and most reasonable of wives; and
Archer had never been insensible to such advantages.
As for the momentary madness which had fallen upon
him on the eve of his marriage, he had trained himself
to regard it as the last of his discarded experiments.
The idea that he could ever, in his senses, have dreamed
of marrying the Countess Olenska had become almost
unthinkable, and she remained in his memory simply as
the most plaintive and poignant of a line of ghosts.
But all these abstractions and eliminations made
of his mind a rather empty and echoing place, and he
supposed that was one of the reasons why the busy
animated people on the Beaufort lawn shocked him as
if they had been children playing in a grave-yard.
He heard a murmur of skirts beside him, and the
Marchioness Manson fluttered out of the drawing-room
window. As usual, she was extraordinarily festooned
and bedizened, with a limp Leghorn hat anchored to
her head by many windings of faded gauze, and a little
black velvet parasol on a carved ivory handle absurdly
balanced over her much larger hatbrim.
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