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They had this melancholy retreat to themselves, and
seated on the divan enclosing the central steam-radiator,
they were staring silently at the glass cabinets mounted
in ebonised wood which contained the recovered fragments
of Ilium.
"It's odd," Madame Olenska said, "I never came
here before."
"Ah, well--. Some day, I suppose, it will be a great
Museum."
"Yes," she assented absently.
She stood up and wandered across the room. Archer,
remaining seated, watched the light movements of her
figure, so girlish even under its heavy furs, the cleverly
planted heron wing in her fur cap, and the way a dark
curl lay like a flattened vine spiral on each cheek above
the ear. His mind, as always when they first met, was
wholly absorbed in the delicious details that made her
herself and no other. Presently he rose and approached
the case before which she stood. Its glass shelves were
crowded with small broken objects--hardly recognisable
domestic utensils, ornaments and personal trifles--made
of glass, of clay, of discoloured bronze and other time-blurred
substances.
"It seems cruel," she said, "that after a while nothing
matters . . . any more than these little things, that used
to be necessary and important to forgotten people, and
now have to be guessed at under a magnifying glass
and labelled: `Use unknown.'"
"Yes; but meanwhile--"
"Ah, meanwhile--"
As she stood there, in her long sealskin coat, her
hands thrust in a small round muff, her veil drawn
down like a transparent mask to the tip of her nose,
and the bunch of violets he had brought her stirring
with her quickly-taken breath, it seemed incredible that
this pure harmony of line and colour should ever suffer
the stupid law of change.
"Meanwhile everything matters--that concerns you,"
he said.
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