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Book I | Edith Wharton | |
Chapter VIII |
Page 2 of 4 |
These things passed through Newland Archer's mind a week later as he watched the Countess Olenska enter the van der Luyden drawing-room on the evening of the momentous dinner. The occasion was a solemn one, and he wondered a little nervously how she would carry it off. She came rather late, one hand still ungloved, and fastening a bracelet about her wrist; yet she entered without any appearance of haste or embarrassment the drawing-room in which New York's most chosen company was somewhat awfully assembled. In the middle of the room she paused, looking about her with a grave mouth and smiling eyes; and in that instant Newland Archer rejected the general verdict on her looks. It was true that her early radiance was gone. The red cheeks had paled; she was thin, worn, a little older-looking than her age, which must have been nearly thirty. But there was about her the mysterious authority of beauty, a sureness in the carriage of the head, the movement of the eyes, which, without being in the least theatrical, struck his as highly trained and full of a conscious power. At the same time she was simpler in manner than most of the ladies present, and many people (as he heard afterward from Janey) were disappointed that her appearance was not more "stylish" --for stylishness was what New York most valued. It was, perhaps, Archer reflected, because her early vivacity had disappeared; because she was so quiet--quiet in her movements, her voice, and the tones of her low-pitched voice. New York had expected something a good deal more reasonant in a young woman with such a history. |
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The Age of Innocence Edith Wharton |
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