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"Certain nuances escape Beaufort," said Mr. Jackson,
cautiously inspecting the broiled shad, and wondering
for the thousandth time why Mrs. Archer's cook
always burnt the roe to a cinder. (Newland, who had
long shared his wonder, could always detect it in the
older man's expression of melancholy disapproval.)
"Oh, necessarily; Beaufort is a vulgar man," said
Mrs. Archer. "My grandfather Newland always used
to say to my mother: `Whatever you do, don't let that
fellow Beaufort be introduced to the girls.' But at least
he's had the advantage of associating with gentlemen;
in England too, they say. It's all very mysterious--"
She glanced at Janey and paused. She and Janey knew
every fold of the Beaufort mystery, but in public Mrs.
Archer continued to assume that the subject was not
one for the unmarried.
"But this Mrs. Struthers," Mrs. Archer continued;
"what did you say SHE was, Sillerton?"
"Out of a mine: or rather out of the saloon at the
head of the pit. Then with Living Wax-Works, touring
New England. After the police broke THAT up, they say
she lived--" Mr. Jackson in his turn glanced at Janey,
whose eyes began to bulge from under her prominent
lids. There were still hiatuses for her in Mrs. Struthers's
past.
"Then," Mr. Jackson continued (and Archer saw he
was wondering why no one had told the butler never to
slice cucumbers with a steel knife), "then Lemuel Struthers
came along. They say his advertiser used the girl's
head for the shoe-polish posters; her hair's intensely
black, you know--the Egyptian style. Anyhow, he--
eventually--married her." There were volumes of
innuendo in the way the "eventually" was spaced, and
each syllable given its due stress.
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