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Dawn O'Hara | Edna Ferber | |
A Tragedy Of Gowns |
Page 5 of 6 |
There came a blur of tears to my eyes. "It is called ashes of roses," I answered. "Ashes of roses." Konrad Nirlanger threw back his head and laughed a laugh as stinging as a whip-lash. "Ashes of roses! So? It is well named. For my dear wife it is poetically fit, is it not so? For see, her roses are but withered ashes, eh Anna?" Deliberately and in silence Anna Nirlanger walked to the mirror and stood there, gazing at the woman in the glass. There was something dreadful and portentous about the calm and studied deliberation with which she critically viewed that reflection. She lifted her arms slowly and patted into place the locks that had become disarranged, turning her head from side to side to study the effect. Then she took from a drawer the bit of chamois skin that I had given her, and passed it lightly over her eyelids and cheeks, humming softly to herself the while. No music ever sounded so uncanny to my ears. The woman before the mirror looked at the woman in the mirror with a long, steady, measuring look. Then, slowly and deliberately, the long graceful folds of her lovely gown trailing behind her, she walked over to where her frowning husband stood. So might a queen have walked, head held high, gaze steady. She stopped within half a foot of him, her eyes level with his. For a long half-minute they stood thus, the faded blue eyes of the wife gazing into the sullen black eyes of the husband, and his were the first to drop, for all the noble blood in Anna Nirlanger's veins, and all her long line of gently bred ancestors were coming to her aid in dealing with her middle-class husband. |
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Dawn O'Hara Edna Ferber |
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