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"At night he came home,--having seen mademoiselle. He told Clement
much of the story relating to Madame Babette that I have told to you.
Of course, he had heard nothing of the ambitious hopes of Morin
Fils,--hardly of his existence, I should think. Madame Babette had
received him kindly; although, for some time, she had kept him
standing in the carriage gateway outside her door. But, on his
complaining of the draught and his rheumatism, she had asked him in:
first looking round with some anxiety, to see who was in the room
behind her. No one was there when he entered and sat down. But, in
a minute or two, a tall, thin young lady, with great, sad eyes, and
pale cheeks, came from the inner room, and, seeing him, retired. 'It
is Mademoiselle Cannes,' said Madame Babette, rather unnecessarily;
for, if he had not been on the watch for some sign of Mademoiselle de
Crequy, he would hardly have noticed the entrance and withdrawal.
"Clement and the good old gardener were always rather perplexed by
Madame Babette's evident avoidance of all mention of the De Crequy
family. If she were so much interested in one member as to be
willing to undergo the pains and penalties of a domiciliary visit, it
was strange that she never inquired after the existence of her
charge's friends and relations from one who might very probably have
heard something of them. They settled that Madame Babette must
believe that the Marquise and Clement were dead; and admired her for
her reticence in never speaking of Virginie. The truth was, I
suspect, that she was so desirous of her nephews success by this
time, that she did not like letting any one into the secret of
Virginie's whereabouts who might interfere with their plan. However,
it was arranged between Clement and his humble friend, that the
former, dressed in the peasant's clothes in which he had entered
Paris, but smartened up in one or two particulars, as if, although a
countryman, he had money to spare, should go and engage a sleeping-room
in the old Breton Inn; where, as I told you, accommodation for
the night was to be had. This was accordingly done, without exciting
Madame Babette's suspicions, for she was unacquainted with the
Normandy accent, and consequently did not perceive the exaggeration
of it which Monsieur de Crequy adopted in order to disguise his pure
Parisian. But after he had for two nights slept in a queer dark
closet, at the end of one of the numerous short galleries in the
Hotel Duguesclin, and paid his money for such accommodation each
morning at the little bureau under the window of the conciergerie, he
found himself no nearer to his object. He stood outside in the
gateway: Madame Babette opened a pane in her window, counted out the
change, gave polite thanks, and shut to the pane with a clack, before
he could ever find out what to say that might be the means of opening
a conversation. Once in the streets, he was in danger from the
bloodthirsty mob, who were ready in those days to hunt to death every
one who looked like a gentleman, as an aristocrat: and Clement,
depend upon it, looked a gentleman, whatever dress he wore. Yet it
was unwise to traverse Paris to his old friend the gardener's
grenier, so he had to loiter about, where I hardly know. Only he did
leave the Hotel Duguesclin, and he did not go to old Jacques, and
there was not another house in Paris open to him. At the end of two
days, he had made out Pierre's existence; and he began to try to make
friends with the lad. Pierre was too sharp and shrewd not to suspect
something from the confused attempts at friendliness. It was not for
nothing that the Norman farmer lounged in the court and doorway, and
brought home presents of galette. Pierre accepted the galette,
reciprocated the civil speeches, but kept his eyes open. Once,
returning home pretty late at night, he surprised the Norman studying
the shadows on the blind, which was drawn down when Madame Babette's
lamp was lighted. On going in, he found Mademoiselle Cannes with his
mother, sitting by the table, and helping in the family mending.
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