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Sara went to it and sat down. She was a queer child,
as I have said before, and quite unlike other children.
She seldom cried. She did not cry now. She laid her
doll, Emily, across her knees, and put her face down
upon her, and her arms around her, and sat there,
her little black head resting on the black crape,
not saying one word, not making one sound.
From that day her life changed entirely. Sometimes she
used to feel as if it must be another life altogether,
the life of some other child. She was a little
drudge and outcast; she was given her lessons at
odd times and expected to learn without being taught;
she was sent on errands by Miss Minchin, Miss Amelia
and the cook. Nobody took any notice of her except
when they ordered her about. She was often kept busy
all day and then sent into the deserted school-room
with a pile of books to learn her lessons or practise
at night. She had never been intimate with the
other pupils, and soon she became so shabby that,
taking her queer clothes together with her queer
little ways, they began to look upon her as a being
of another world than their own. The fact was that,
as a rule, Miss Minchin's pupils were rather dull,
matter-of-fact young people, accustomed to being rich
and comfortable; and Sara, with her elfish cleverness,
her desolate life, and her odd habit of fixing her
eyes upon them and staring them out of countenance,
was too much for them.
"She always looks as if she was finding you out,"
said one girl, who was sly and given to making mischief.
"I am," said Sara promptly, when she heard of it.
"That's what I look at them for. I like to know
about people. I think them over afterward."
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