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Mr. Kimble went on, and Godfrey turned back to the cottage. He cast
only one glance at the dead face on the pillow, which Dolly had
smoothed with decent care; but he remembered that last look at his
unhappy hated wife so well, that at the end of sixteen years every
line in the worn face was present to him when he told the full story
of this night.
He turned immediately towards the hearth, where Silas Marner sat
lulling the child. She was perfectly quiet now, but not asleep--
only soothed by sweet porridge and warmth into that wide-gazing calm
which makes us older human beings, with our inward turmoil, feel a
certain awe in the presence of a little child, such as we feel
before some quiet majesty or beauty in the earth or sky--before a
steady glowing planet, or a full-flowered eglantine, or the bending
trees over a silent pathway. The wide-open blue eyes looked up at
Godfrey's without any uneasiness or sign of recognition: the child
could make no visible audible claim on its father; and the father
felt a strange mixture of feelings, a conflict of regret and joy,
that the pulse of that little heart had no response for the
half-jealous yearning in his own, when the blue eyes turned away
from him slowly, and fixed themselves on the weaver's queer face,
which was bent low down to look at them, while the small hand began
to pull Marner's withered cheek with loving disfiguration.
"You'll take the child to the parish to-morrow?" asked Godfrey,
speaking as indifferently as he could.
"Who says so?" said Marner, sharply. "Will they make me take
her?"
"Why, you wouldn't like to keep her, should you--an old bachelor
like you?"
"Till anybody shows they've a right to take her away from me,"
said Marner. "The mother's dead, and I reckon it's got no father:
it's a lone thing--and I'm a lone thing. My money's gone, I don't
know where--and this is come from I don't know where. I know
nothing--I'm partly mazed."
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