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I should mention that during these two months--which seemed a long
life to me from the novelty and intensity of the pleasures and
pains I underwent--my diseased anticipation in other people's
consciousness continued to torment me; now it was my father, and
now my brother, now Mrs. Filmore or her husband, and now our German
courier, whose stream of thought rushed upon me like a ringing in
the ears not to be got rid of, though it allowed my own impulses
and ideas to continue their uninterrupted course. It was like a
preternaturally heightened sense of hearing, making audible to one
a roar of sound where others find perfect stillness. The weariness
and disgust of this involuntary intrusion into other souls was
counteracted only by my ignorance of Bertha, and my growing passion
for her; a passion enormously stimulated, if not produced, by that
ignorance. She was my oasis of mystery in the dreary desert of
knowledge. I had never allowed my diseased condition to betray
itself, or to drive me into any unusual speech or action, except
once, when, in a moment of peculiar bitterness against my brother,
I had forestalled some words which I knew he was going to utter--a
clever observation, which he had prepared beforehand. He had
occasionally a slightly affected hesitation in his speech, and when
he paused an instant after the second word, my impatience and
jealousy impelled me to continue the speech for him, as if it were
something we had both learned by rote. He coloured and looked
astonished, as well as annoyed; and the words had no sooner escaped
my lips than I felt a shock of alarm lest such an anticipation of
words--very far from being words of course, easy to divine--should
have betrayed me as an exceptional being, a sort of quiet
energumen, whom every one, Bertha above all, would shudder at and
avoid. But I magnified, as usual, the impression any word or deed
of mine could produce on others; for no one gave any sign of having
noticed my interruption as more than a rudeness, to be forgiven me
on the score of my feeble nervous condition.
While this superadded consciousness of the actual was almost
constant with me, I had never had a recurrence of that distinct
prevision which I have described in relation to my first interview
with Bertha; and I was waiting with eager curiosity to know whether
or not my vision of Prague would prove to have been an instance of
the same kind. A few days after the incident of the opal ring, we
were paying one of our frequent visits to the Lichtenberg Palace.
I could never look at many pictures in succession; for pictures,
when they are at all powerful, affect me so strongly that one or
two exhaust all my capability of contemplation. This morning I had
been looking at Giorgione's picture of the cruel-eyed woman, said
to be a likeness of Lucrezia Borgia. I had stood long alone before
it, fascinated by the terrible reality of that cunning, relentless
face, till I felt a strange poisoned sensation, as if I had long
been inhaling a fatal odour, and was just beginning to be conscious
of its effects. Perhaps even then I should not have moved away, if
the rest of the party had not returned to this room, and announced
that they were going to the Belvedere Gallery to settle a bet which
had arisen between my brother and Mr. Filmore about a portrait. I
followed them dreamily, and was hardly alive to what occurred till
they had all gone up to the gallery, leaving me below; for I
refused to come within sight of another picture that day. I made
my way to the Grand Terrace, since it was agreed that we should
saunter in the gardens when the dispute had been decided. I had
been sitting here a short space, vaguely conscious of trim gardens,
with a city and green hills in the distance, when, wishing to avoid
the proximity of the sentinel, I rose and walked down the broad
stone steps, intending to seat myself farther on in the gardens.
Just as I reached the gravel-walk, I felt an arm slipped within
mine, and a light hand gently pressing my wrist. In the same
instant a strange intoxicating numbness passed over me, like the
continuance or climax of the sensation I was still feeling from the
gaze of Lucrezia Borgia. The gardens, the summer sky, the
consciousness of Bertha's arm being within mine, all vanished, and
I seemed to be suddenly in darkness, out of which there gradually
broke a dim firelight, and I felt myself sitting in my father's
leather chair in the library at home. I knew the fireplace--the
dogs for the wood-fire--the black marble chimney-piece with the
white marble medallion of the dying Cleopatra in the centre.
Intense and hopeless misery was pressing on my soul; the light
became stronger, for Bertha was entering with a candle in her hand-
-Bertha, my wife--with cruel eyes, with green jewels and green
leaves on her white ball-dress; every hateful thought within her
present to me . . . "Madman, idiot! why don't you kill yourself,
then?" It was a moment of hell. I saw into her pitiless soul--saw
its barren worldliness, its scorching hate--and felt it clothe me
round like an air I was obliged to breathe. She came with her
candle and stood over me with a bitter smile of contempt; I saw the
great emerald brooch on her bosom, a studded serpent with diamond
eyes. I shuddered--I despised this woman with the barren soul and
mean thoughts; but I felt helpless before her, as if she clutched
my bleeding heart, and would clutch it till the last drop of lifeblood
ebbed away. She was my wife, and we hated each other.
Gradually the hearth, the dim library, the candle-light
disappeared--seemed to melt away into a background of light, the
green serpent with the diamond eyes remaining a dark image on the
retina. Then I had a sense of my eyelids quivering, and the living
daylight broke in upon me; I saw gardens, and heard voices; I was
seated on the steps of the Belvedere Terrace, and my friends were
round me.
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