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Now, this is one of the two or three vital defences of
working democracy. The mere machinery of voting is not democracy,
though at present it is not easy to effect any simpler democratic method.
But even the machinery of voting is profoundly Christian in this
practical sense--that it is an attempt to get at the opinion of those
who would be too modest to offer it. It is a mystical adventure;
it is specially trusting those who do not trust themselves.
That enigma is strictly peculiar to Christendom. There is nothing
really humble about the abnegation of the Buddhist; the mild Hindoo
is mild, but he is not meek. But there is something psychologically
Christian about the idea of seeking for the opinion of the obscure
rather than taking the obvious course of accepting the opinion
of the prominent. To say that voting is particularly Christian may
seem somewhat curious. To say that canvassing is Christian may seem
quite crazy. But canvassing is very Christian in its primary idea.
It is encouraging the humble; it is saying to the modest man,
"Friend, go up higher." Or if there is some slight defect
in canvassing, that is in its perfect and rounded piety, it is only
because it may possibly neglect to encourage the modesty of the canvasser.
Aristocracy is not an institution: aristocracy is a sin;
generally a very venial one. It is merely the drift or slide
of men into a sort of natural pomposity and praise of the powerful,
which is the most easy and obvious affair in the world.
It is one of the hundred answers to the fugitive perversion
of modern "force" that the promptest and boldest agencies are
also the most fragile or full of sensibility. The swiftest things
are the softest things. A bird is active, because a bird is soft.
A stone is helpless, because a stone is hard. The stone must
by its own nature go downwards, because hardness is weakness.
The bird can of its nature go upwards, because fragility is force.
In perfect force there is a kind of frivolity, an airiness that can
maintain itself in the air. Modern investigators of miraculous
history have solemnly admitted that a characteristic of the great
saints is their power of "levitation." They might go further;
a characteristic of the great saints is their power of levity.
Angels can fly because they can take themselves lightly.
This has been always the instinct of Christendom, and especially
the instinct of Christian art. Remember how Fra Angelico represented
all his angels, not only as birds, but almost as butterflies.
Remember how the most earnest mediaeval art was full of light
and fluttering draperies, of quick and capering feet. It was
the one thing that the modern Pre-raphaelites could not imitate
in the real Pre-raphaelites. Burne-Jones could never recover
the deep levity of the Middle Ages. In the old Christian pictures
the sky over every figure is like a blue or gold parachute.
Every figure seems ready to fly up and float about in the heavens.
The tattered cloak of the beggar will bear him up like the rayed
plumes of the angels. But the kings in their heavy gold and the proud
in their robes of purple will all of their nature sink downwards,
for pride cannot rise to levity or levitation. Pride is the downward
drag of all things into an easy solemnity. One "settles down"
into a sort of selfish seriousness; but one has to rise to a gay
self-forgetfulness. A man "falls" into a brown study; he reaches up
at a blue sky. Seriousness is not a virtue. It would be a heresy,
but a much more sensible heresy, to say that seriousness is a vice.
It is really a natural trend or lapse into taking one's self gravely,
because it is the easiest thing to do. It is much easier to
write a good TIMES leading article than a good joke in PUNCH.
For solemnity flows out of men naturally; but laughter is a leap.
It is easy to be heavy: hard to be light. Satan fell by the force of
gravity.
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