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The Trees of Pride Gilbert K. Chesterton

IV. The Chase After The Truth


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"He has gone up to the Trehernes possibly to say good-by," went on Ashe rapidly. "I'M sorry, but we must arrest him in the garden there, if necessary. I've kept the lady out of the way, I think. But you"--addressing the factitious landscape painter--"must go up at once and rig up that easel of yours near the table and be ready. We will follow quietly, and come up behind the tree. We must be careful, for it's clear he's got wind of us, or he wouldn't be doing a bolt."

"I don't like this job," remarked Paynter, as they mounted toward the park and garden, the detective darting on ahead.

"Do you suppose I do?" asked Ashe; and, indeed, his strong, heavy face looked so lined and old that the red hair seemed unnatural, like a red wig. "I've known him longer than you, though perhaps I've suspected him longer as well."

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When they topped the slope of the garden the detective had already erected his easel, though a strong breeze blowing toward the sea rattled and flapped his apparatus and blew about his fair (and false) beard in the wind. Little clouds curled like feathers, were scudding seaward across the many-colored landscape, which the American art critic had once surveyed on a happier morning; but it is doubtful if the landscape painter paid much attention to it. Treherne was dimly discernible in the doorway of what was now his house; he would come no nearer, for he hated such a public duty more bitterly than the rest. The others posted themselves a little way behind the tree. Between the lines of these masked batteries the black figure of the doctor could be seen coming across the green lawn, traveling straight, as a bullet, as he had done when he brought the bad news to the woodcutter. To-day he was smiling, under the dark mustache that was cut short of the upper lip, though they fancied him a little pale, and he seemed to pause a moment and peer through his spectacles at the artist.

The artist turned from his easel with a natural movement, and then in a flash had captured the doctor by the coat collar.

"I arrest you--" he began; but Doctor Brown plucked himself free with startling promptitude, took a flying leap at the other, tore off his sham beard, tossing it into the air like one of the wild wisps of the cloud; then, with one wild kick, sent the easel flying topsy-turvy, and fled like a hare for the shore. Even at that dazzling instant Paynter felt that this wild reception was a novelty and almost an anticlimax; but he had no time for analysis when he and the whole pack had to follow in the hunt; even Treherne bringing up the rear with a renewed curiosity and energy.

The fugitive collided with one of the policemen who ran to head him off, sending him sprawling down the slope; indeed, the fugitive seemed inspired with the strength of a wild ape. He cleared at a bound the rampart of flowers, over which Barbara had once leaned to look at her future lover, and tumbled with blinding speed down the steep path up which that troubadour had climbed. Racing with the rushing wind they all streamed across the garden after him, down the path, and finally on to the seashore by the fisher's cot, and the pierced crags and caverns the American had admired when he first landed. The runaway did not, however, make for the house he had long inhabited, but rather for the pier, as if with a mind to seize the boat or to swim. Only when he reached the other end of the small stone jetty did he turn, and show them the pale face with the spectacles; and they saw that it was still smiling.

 
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The Trees of Pride
Gilbert K. Chesterton

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