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He did not agree with that. "I don't mean simply intensity of
sensation. I said intensity of perception. You may perceive
harmony, proportion, rhythm, intensely. They are things faint
and slight in themselves, as physical facts, but they are like
the detonator of a bomb: they let loose the explosive. There's
the internal factor as well as the external. . . . I don't know
if I express myself clearly. I mean that the point is that
vividness of perception is the essential factor of beauty; but,
of course, vividness may be created by a whisper."
"That brings us back," said Ann Veronica, "to the mystery. Why
should some things and not others open the deeps?"
"Well, that might, after all, be an outcome of selection --like
the preference for blue flowers, which are not nearly so bright
as yellow, of some insects."
"That doesn't explain sunsets."
"Not quite so easily as it explains an insect alighting on
colored paper. But perhaps if people didn't like clear, bright,
healthy eyes--which is biologically understandable--they couldn't
like precious stones. One thing may be a necessary collateral of
the others. And, after all, a fine clear sky of bright colors is
the signal to come out of hiding and rejoice and go on with
life."
"H'm!" said Ann Veronica, and shook her head.
Capes smiled cheerfully with his eyes meeting hers. "I throw it
out in passing," he said. "What I am after is that beauty isn't
a special inserted sort of thing; that's my idea. It's just
life, pure life, life nascent, running clear and strong."
He stood up to go on to the next student.
"There's morbid beauty," said Ann Veronica.
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