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`As the hush of evening crept over the world and we proceeded
over the hill crest towards Wimbledon, Weena grew tired and
wanted to return to the house of grey stone. But I pointed out
the distant pinnacles of the Palace of Green Porcelain to her,
and contrived to make her understand that we were seeking a
refuge there from her Fear. You know that great pause that comes
upon things before the dusk? Even the breeze stops in the trees.
To me there is always an air of expectation about that evening
stillness. The sky was clear, remote, and empty save for a few
horizontal bars far down in the sunset. Well, that night the
expectation took the colour of my fears. In that darkling calm
my senses seemed preternaturally sharpened. I fancied I could
even feel the hollowness of the ground beneath my feet: could,
indeed, almost see through it the Morlocks on their ant-hill
going hither and thither and waiting for the dark. In my
excitement I fancied that they would receive my invasion of their
burrows as a declaration of war. And why had they taken my Time
Machine?
`So we went on in the quiet, and the twilight deepened into
night. The clear blue of the distance faded, and one star after
another came out. The ground grew dim and the trees black.
Weena's fears and her fatigue grew upon her. I took her in my
arms and talked to her and caressed her. Then, as the darkness
grew deeper, she put her arms round my neck, and, closing her
eyes, tightly pressed her face against my shoulder. So we went
down a long slope into a valley, and there in the dimness I
almost walked into a little river. This I waded, and went up the
opposite side of the valley, past a number of sleeping houses,
and by a statue--a Faun, or some such figure, MINUS the head.
Here too were acacias. So far I had seen nothing of the
Morlocks, but it was yet early in the night, and the darker hours
before the old moon rose were still to come.
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