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When the Sleeper Wakes | H. G. [Herbert George] Wells | |
The Aerophile |
Page 2 of 8 |
The Flying Stages of London were collected together in an irregular crescent on the southern side of the river. They formed three groups of two each and retained the names of ancient suburban hills or villages. They were named in order, Roehampton, Wimhledon Park, Streatham, Norwood, Blackheath, and Shooter's Hill. They were uniform structures rising high above the general roof surfaces. Each was about four thousand yards long and a thousand broad, and constructed of the compound of aluminium and iron that had replaced iron in architecture. Their higher tiers formed an openwork of girders through which lifts and staircases ascended. The upper surface was a uniform expanse, with portions--the starting carriers--that could be raised and were then able to run on very slightly inclined rails to the end of the fabric. Save for any aeropiles or aeroplanes that were in port these open surfaces were kept clear for arrivals. During the adjustment of the aeroplanes it was the custom for passengers to wait in the system of theatres, restaurants, news-rooms, and places of pleasure and indulgence of various sorts that interwove with the prosperous shops below. This portion of London was in consequence commonly the gayest of all its districts, with something of the meretricious gaiety of a seaport or city of hotels. And for those who took a more serious view of aeronautics, the religious quarters had flung out an attractive colony of devotional chapels, while a host of brilliant medical establishments competed to supply physical preparatives for the journey. At various levels through the mass of chambers and passages beneath these, ran, in addition to the main moving ways of the city which laced and gathered here, a complex system of special passages and lifts and slides, for the convenient interchange of people and luggage between stage and stage. And a distinctive feature of the architecture of this section was the ostentatious massiveness of the metal piers and girders that everywhere broke the vistas and spanned the halls and passages, crowding and twining up to meet the weight of the stages and the weighty impact of the aeroplanes overhead. |
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When the Sleeper Wakes H. G. [Herbert George] Wells |
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