An Evening in Uncle Tom's Cabin

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"Mas'r George is such a beautiful reader, now, I know he'll stay to read for us," said Aunt Chloe; "'pears like 't will be so much more interestin'."

George very readily consented, for your boy is always ready for anything that makes him of importance.

The room was soon filled with a motley assemblage, from the old gray-headed patriarch of eighty, to the young girl and lad of fifteen. A little harmless gossip ensued on various themes, such as where old Aunt Sally got her new red headkerchief, and how "Missis was a going to give Lizzy that spotted muslin gown, when she'd got her new berage made up;" and how Mas'r Shelby was thinking of buying a new sorrel colt, that was going to prove an addition to the glories of the place. A few of the worshippers belonged to families hard by, who had got permission to attend, and who brought in various choice scraps of information, about the sayings and doings at the house and on the place, which circulated as freely as the same sort of small change does in higher circles.

After a while the singing commenced, to the evident delight of all present. Not even all the disadvantage of nasal intonation could prevent the effect of the naturally fine voices, in airs at once wild and spirited. The words were sometimes the well-known and common hymns sung in the churches about, and sometimes of a wilder, more indefinite character, picked up at camp-meetings.

The chorus of one of them, which ran as follows, was sung with great energy and unction:

_"Die on the field of battle, Die on the field of battle, Glory in my soul."_

Another special favorite had oft repeated the words--

_"O, I'm going to glory,--won't you come along with me? Don't you see the angels beck'ning, and a calling me away? Don't you see the golden city and the everlasting day?"_

There were others, which made incessant mention of "Jordan's banks," and "Canaan's fields," and the "New Jerusalem;" for the negro mind, impassioned and imaginative, always attaches itself to hymns and expressions of a vivid and pictorial nature; and, as they sung, some laughed, and some cried, and some clapped hands, or shook hands rejoicingly with each other, as if they had fairly gained the other side of the river.

Various exhortations, or relations of experience, followed, and intermingled with the singing. One old gray-headed woman, long past work, but much revered as a sort of chronicle of the past, rose, and leaning on her staff, said--"Well, chil'en! Well, I'm mighty glad to hear ye all and see ye all once more, 'cause I don't know when I'll be gone to glory; but I've done got ready, chil'en; 'pears like I'd got my little bundle all tied up, and my bonnet on, jest a waitin' for the stage to come along and take me home; sometimes, in the night, I think I hear the wheels a rattlin', and I'm lookin' out all the time; now, you jest be ready too, for I tell ye all, chil'en," she said striking her staff hard on the floor, "dat ar _glory_ is a mighty thing! It's a mighty thing, chil'en,--you don'no nothing about it,--it's _wonderful_." And the old creature sat down, with streaming tears, as wholly overcome, while the whole circle struck up--