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III. A Leaf of Spearmint | Henry van Dyke | |
Section I. |
Page 1 of 4 |
You are fishing down the Swiftwater in the early Spring. In a shallow pool, which the drought of summer will soon change into dry land, you see the pale-green shoots of a little plant thrusting themselves up between the pebbles, and just beginning to overtop the falling water. You pluck a leaf of it as you turn out of the stream to find a comfortable place for lunch, and, rolling it between your fingers to see whether it smells like a good salad for your bread and cheese, you discover suddenly that it is new mint. For the rest of that day you are bewitched; you follow a stream that runs through the country of Auld Lang Syne, and fill your creel with the recollections of a boy and a rod. And yet, strangely enough, you cannot recall the boy himself at all distinctly. There is only the faintest image of him on the endless roll of films that has been wound through your mental camera: and in the very spots where his small figure should appear, it seems as if the pictures were always light-struck. Just a blur, and the dim outline of a new cap, or a well-beloved jacket with extra pockets, or a much-hated pair of copper-toed shoes--that is all you can see. But the people that the boy saw, the companions who helped or hindered him in his adventures, the sublime and marvellous scenes among the Catskills and the Adirondacks and the Green Mountains, in the midst of which he lived and moved and had his summer holidays-- all these stand out sharp and clear, as the "Bab Ballads" say, |
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Little Rivers Henry van Dyke |
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