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The Red One Jack London

The Princess


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"She used to play the piano. So did I, once. But I never let her know after I'd heard her play the first time. And she thought her playing was wonderful, the dear, fond girl! You know the sort, the mechanical one-two-three tum-tum-tum school-girl stuff. And now I'll tell you something funnier. Her playing WAS wonderful to me. The gates of heaven opened to me when she played. I can see myself now, worn out and dog-tired after the long day, lying on the mats of the palace veranda and gazing upon her at the piano, myself in a perfect idiocy of bliss. Why, this idea she had of her fine playing was the one flaw in her deliciousness of perfection, and I loved her for it. It kind of brought her within my human reach. Why, when she played her one-two-three, tum-tum-tum, I was in the seventh heaven of bliss. My weariness fell from me. I loved her, and my love for her was clean as flame, clean as my love for God. And do you know, into my fond lover's fancy continually intruded the thought that God in most ways must look like her.

" - That's right, Bruce Cadogan Cavendish, sneer as you like. But I tell you that's love that I've been describing. That's all. It's love. It's the realest, purest, finest thing that can happen to a man. And I know what I'm talking about. It happened to me."

Whiskers, his beady squirrel's eye glittering from out his ruined eyebrow like a live coal in a jungle ambush, broke off long enough to down a sedative draught from his condensed milk can and to mix another.

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"The cane," he resumed, wiping his prodigious mat of face hair with the back of his hand. "It matured in sixteen months in that climate, and I was ready, just ready and no more, with the mill for the grinding. Naturally, it did not all mature at once, but I had planted in such succession that I could grind for nine months steadily, while more was being planted and the ratoons were springing up.

"I had my troubles the first several days. If it wasn't one thing the matter with the mill, it was another. On the fourth day, Ferguson, my engineer, had to shut down several hours in order to remedy his own troubles. I was bothered by the feeder. After having the niggers (who had been feeding the cane) pour cream of lime on the rollers to keep everything sweet, I sent them out to join the cane-cutting squads. So I was all alone at that end, just as Ferguson started up the mill, just as I discovered what was the matter with the feed-rollers, and just as Motomoe strolled up.

"He stood there, in Norfolk jacket, pigskin puttees, and all the rest of the fashionable get-up out of a bandbox, sneering at me covered with filth and grease to the eyebrows and looking like a navvy. And, the rollers now white from the lime, I'd just seen what was wrong. The rollers were not in plumb. One side crushed the cane well, but the other side was too open. I shoved my fingers in on that side. The big, toothed cogs on the rollers did not touch my fingers. And yet, suddenly, they did. With the grip of ten thousand devils, my finger-tips were caught, drawn in, and pulped to - well, just pulp. And, like a slick of cane, I had started on my way. There was no stopping me. Ten thousand horses could not have pulled me back. There was nothing to stop me. Hand, arm, shoulder, head, and chest, down to the toes of me, I was doomed to feed through.

 
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The Red One
Jack London

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