The Call Of Kind

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White Fang had never been very demonstrative. Beyond his snuggling and the throwing of a crooning note into his love-growl, he had no way of expressing his love. Yet it was given him to discover a third way. He had always been susceptible to the laughter of the gods. Laughter had affected him with madness, made him frantic with rage. But he did not have it in him to be angry with the love-master, and when that god elected to laugh at him in a good-natured, bantering way, he was nonplussed. He could feel the pricking and stinging of the old anger as it strove to rise up in him, but it strove against love. He could not be angry; yet he had to do something. At first he was dignified, and the master laughed the harder. Then he tried to be more dignified, and the master laughed harder than before. In the end, the master laughed him out of his dignity. His jaws slightly parted, his lips lifted a little, and a quizzical expression that was more love than humour came into his eyes. He had learned to laugh.

Likewise he learned to romp with the master, to be tumbled down and rolled over, and be the victim of innumerable rough tricks. In return he feigned anger, bristling and growling ferociously, and clipping his teeth together in snaps that had all the seeming of deadly intention. But he never forgot himself. Those snaps were always delivered on the empty air. At the end of such a romp, when blow and cuff and snap and snarl were last and furious, they would break off suddenly and stand several feet apart, glaring at each other. And then, just as suddenly, like the sun rising on a stormy sea, they would begin to laugh. This would always culminate with the master's arms going around White Fang's neck and shoulders while the latter crooned and growled his love-song.

But nobody else ever romped with White Fang. He did not permit it. He stood on his dignity, and when they attempted it, his warning snarl and bristling mane were anything but playful. That he allowed the master these liberties was no reason that he should be a common dog, loving here and loving there, everybody's property for a romp and good time. He loved with single heart and refused to cheapen himself or his love.

The master went out on horseback a great deal, and to accompany him was one of White Fang's chief duties in life. In the Northland he had evidenced his fealty by toiling in the harness; but there were no sleds in the Southland, nor did dogs pack burdens on their backs. So he rendered fealty in the new way, by running with the master's horse. The longest day never played White Fang out. His was the gait of the wolf, smooth, tireless and effortless, and at the end of fifty miles he would come in jauntily ahead of the horse.

It was in connection with the riding, that White Fang achieved one other mode of expression - remarkable in that he did it but twice in all his life. The first time occurred when the master was trying to teach a spirited thoroughbred the method of opening and closing gates without the rider's dismounting. Time and again and many times he ranged the horse up to the gate in the effort to close it and each time the horse became frightened and backed and plunged away. It grew more nervous and excited every moment. When it reared, the master put the spurs to it and made it drop its fore-legs back to earth, whereupon it would begin kicking with its hind-legs. White Fang watched the performance with increasing anxiety until he could contain himself no longer, when he sprang in front of the horse and barked savagely and warningly.