Chapter XXXI. The Recognition procession.

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'Welcome, O King! as much as hearts can think; Welcome, again, as much as tongue can tell,-- Welcome to joyous tongues, and hearts that will not shrink: God thee preserve, we pray, and wish thee ever well.'

The people burst forth in a glad shout, repeating with one voice what the child had said. Tom Canty gazed abroad over the surging sea of eager faces, and his heart swelled with exultation; and he felt that the one thing worth living for in this world was to be a king, and a nation's idol. Presently he caught sight, at a distance, of a couple of his ragged Offal Court comrades--one of them the lord high admiral in his late mimic court, the other the first lord of the bedchamber in the same pretentious fiction; and his pride swelled higher than ever. Oh, if they could only recognise him now! What unspeakable glory it would be, if they could recognise him, and realise that the derided mock king of the slums and back alleys was become a real King, with illustrious dukes and princes for his humble menials, and the English world at his feet! But he had to deny himself, and choke down his desire, for such a recognition might cost more than it would come to: so he turned away his head, and left the two soiled lads to go on with their shoutings and glad adulations, unsuspicious of whom it was they were lavishing them upon.

Every now and then rose the cry, "A largess! a largess!" and Tom responded by scattering a handful of bright new coins abroad for the multitude to scramble for.

The chronicler says, 'At the upper end of Gracechurch Street, before the sign of the Eagle, the city had erected a gorgeous arch, beneath which was a stage, which stretched from one side of the street to the other. This was an historical pageant, representing the King's immediate progenitors. There sat Elizabeth of York in the midst of an immense white rose, whose petals formed elaborate furbelows around her; by her side was Henry VII., issuing out of a vast red rose, disposed in the same manner: the hands of the royal pair were locked together, and the wedding-ring ostentatiously displayed. From the red and white roses proceeded a stem, which reached up to a second stage, occupied by Henry VIII., issuing from a red and white rose, with the effigy of the new King's mother, Jane Seymour, represented by his side. One branch sprang from this pair, which mounted to a third stage, where sat the effigy of Edward VI. himself, enthroned in royal majesty; and the whole pageant was framed with wreaths of roses, red and white.'

This quaint and gaudy spectacle so wrought upon the rejoicing people, that their acclamations utterly smothered the small voice of the child whose business it was to explain the thing in eulogistic rhymes. But Tom Canty was not sorry; for this loyal uproar was sweeter music to him than any poetry, no matter what its quality might be. Whithersoever Tom turned his happy young face, the people recognised the exactness of his effigy's likeness to himself, the flesh and blood counterpart; and new whirlwinds of applause burst forth.