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With all her splendid common sense and practical everyday ability,
Roxy was a doting fool of a mother. She was this toward her child--
and she was also more than this: by the fiction created by herself,
he was become her master; the necessity of recognizing this relation
outwardly and of perfecting herself in the forms required to express
the recognition, had moved her to such diligence and faithfulness in
practicing these forms that this exercise soon concreted itself into habit;
it became automatic and unconscious; then a natural result followed:
deceptions intended solely for others gradually grew practically
into self-deceptions as well; the mock reverence became real reverence,
the mock homage real homage; the little counterfeit rift of separation
between imitation-slave and imitation-master widened and widened,
and became an abyss, and a very real one-- and on one side of it
stood Roxy, the dupe of her own deceptions, and on the other stood
her child, no longer a usurper to her, but her accepted and
recognized master. He was her darling, her master, and her deity
all in one, and in her worship of him she forgot who she was and
what he had been.
In babyhood Tom cuffed and banged and scratched Chambers unrebuked,
and Chambers early learned that between meekly bearing it and
resenting it, the advantage all lay with the former policy.
The few times that his persecutions had moved him beyond control
and made him fight back had cost him very dear at headquarters;
not at the hands of Roxy, for if she ever went beyond scolding
him sharply for "forgett'n' who his young marster was," she at
least never extended her punishment beyond a box on the ear.
No, Percy Driscoll was the person. He told Chambers that under no
provocation whatever was he privileged to lift his hand against his
little master. Chambers overstepped the line three times, and got
three such convincing canings from the man who was his father and
didn't know it, that he took Tom's cruelties in all humility after that,
and made no more experiments.
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