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Tom's enemies were in strong force here, so they came out with their
opinions quite freely. The laughed at him, and called him coward,
liar, sneak, and other sorts of pet names, and told him they meant
to call Chambers by a new name after this, and make it common
in the town--"Tom Driscoll's nigger pappy,"--to signify that he
had had a second birth into this life, and that Chambers was the author
of his new being. Tom grew frantic under these taunts, and shouted:
"Knock their heads off, Chambers! Knock their heads off!
What do you stand there with your hands in your pockets for?"
Chambers expostulated, and said, "But, Marse Tom, dey's too
many of 'em--dey's--"
"Do you hear me?"
"Please, Marse Tom, don't make me! Dey's so many of 'em dat--"
Tom sprang at him and drove his pocketknife into him two or three
times before the boys could snatch him away and give the wounded lad
a chance to escape. He was considerably hurt, but not seriously.
If the blade had been a little longer, his career would have ended there.
Tom had long ago taught Roxy "her place." It had been many a day now
since she had ventured a caress or a fondling epithet in his quarter.
Such things, from a "nigger," were repulsive to him, and she had been
warned to keep her distance and remember who she was. She saw her
darling gradually cease from being her son, she saw THAT detail
perish utterly; all that was left was master--master, pure and simple,
and it was not a gentle mastership, either. She saw herself sink from the
sublime height of motherhood to the somber depths of unmodified slavery,
the abyss of separation between her and her boy was complete.
She was merely his chattel now, his convenience, his dog, his cringing
and helpless slave, the humble and unresisting victim of his capricious
temper and vicious nature.
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