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In obedience to Mother Rigby's word, and extending its arm as if
to reach her outstretched hand, the figure made a step forward--a
kind of hitch and jerk, however, rather than a step--then
tottered and almost lost its balance. What could the witch
expect? It was nothing, after all, but a scarecrow stuck upon two
sticks. But the strong-willed old beldam scowled, and beckoned,
and flung the energy of her purpose so forcibly at this poor
combination of rotten wood, and musty straw, and ragged garments,
that it was compelled to show itself a man, in spite of the
reality of things. So it stepped into the bar of sunshine. There
it stood, poor devil of a contrivance that it was!--with only the
thinnest vesture of human similitude about it, through which was
evident the stiff, rickety, incongruous, faded, tattered,
good-for-nothing patchwork of its substance, ready to sink in a
heap upon the floor, as conscious of its own unworthiness to be
erect. Shall I confess the truth? At its present point of
vivification, the scarecrow reminds me of some of the lukewarm
and abortive characters, composed of heterogeneous materials,
used for the thousandth time, and never worth using, with which
romance writers (and myself, no doubt, among the rest) have so
overpeopled the world of fiction.
But the fierce old hag began to get angry and show a glimpse of
her diabolic nature (like a snake's head, peeping with a hiss out
of her bosom), at this pusillanimous behavior of the thing which
she had taken the trouble to put together.
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