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By degrees, not very slowly, her handiwork became what would now
be termed the fashion. Whether from commiseration for a woman of
so miserable a destiny; or from the morbid curiosity that gives a
fictitious value even to common or worthless things; or by
whatever other intangible circumstance was then, as now,
sufficient to bestow, on some persons, what others might seek in
vain; or because Hester really filled a gap which must otherwise
have remained vacant; it is certain that she had ready and fairly
equited employment for as many hours as she saw fit to occupy
with her needle. Vanity, it may be, chose to mortify itself, by
putting on, for ceremonials of pomp and state, the garments that had
been wrought by her sinful hands. Her needle-work was seen on the
ruff of the Governor; military men wore it on their scarfs, and
the minister on his band; it decked the baby's little cap; it was
shut up, to be mildewed and moulder away, in the coffins of the
dead. But it is not recorded that, in a single instance, her
skill was called in to embroider the white veil which was to
cover the pure blushes of a bride. The exception indicated the
ever relentless vigour with which society frowned upon her sin.
Hester sought not to acquire anything beyond a subsistence, of
the plainest and most ascetic description, for herself, and a
simple abundance for her child. Her own dress was of the
coarsest materials and the most sombre hue, with only that one
ornament--the scarlet letter--which it was her doom to wear.
The child's attire, on the other hand, was distinguished by a
fanciful, or, we may rather say, a fantastic ingenuity, which
served, indeed, to heighten the airy charm that early began to
develop itself in the little girl, but which appeared to have
also a deeper meaning. We may speak further of it hereafter.
Except for that small expenditure in the decoration of her
infant, Hester bestowed all her superfluous means in charity, on
wretches less miserable than herself, and who not unfrequently
insulted the hand that fed them. Much of the time, which she
might readily have applied to the better efforts of her art, she
employed in making coarse garments for the poor. It is probable
that there was an idea of penance in this mode of occupation, and
that she offered up a real sacrifice of enjoyment in devoting so
many hours to such rude handiwork. She had in her nature a rich,
voluptuous, Oriental characteristic--a taste for the gorgeously
beautiful, which, save in the exquisite productions of her
needle, found nothing else, in all the possibilities of her life,
to exercise itself upon. Women derive a pleasure,
incomprehensible to the other sex, from the delicate toil of the
needle. To Hester Prynne it might have been a mode of
expressing, and therefore soothing, the passion of her life.
Like all other joys, she rejected it as sin. This morbid
meddling of conscience with an immaterial matter betokened, it is
to be feared, no genuine and steadfast penitence, but something
doubtful, something that might be deeply wrong beneath.
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