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In 1500 he was sent to France to obtain terms from Louis XII for
continuing the war against Pisa: this king it was who, in his conduct
of affairs in Italy, committed the five capital errors in statecraft
summarized in "The Prince," and was consequently driven out. He, also,
it was who made the dissolution of his marriage a condition of support
to Pope Alexander VI; which leads Machiavelli to refer those who urge
that such promises should be kept to what he has written concerning
the faith of princes.
Machiavelli's public life was largely occupied with events arising out
of the ambitions of Pope Alexander VI and his son, Cesare Borgia, the
Duke Valentino, and these characters fill a large space of "The
Prince." Machiavelli never hesitates to cite the actions of the duke
for the benefit of usurpers who wish to keep the states they have
seized; he can, indeed, find no precepts to offer so good as the
pattern of Cesare Borgia's conduct, insomuch that Cesare is acclaimed
by some critics as the "hero" of "The Prince." Yet in "The Prince" the
duke is in point of fact cited as a type of the man who rises on the
fortune of others, and falls with them; who takes every course that
might be expected from a prudent man but the course which will save
him; who is prepared for all eventualities but the one which happens;
and who, when all his abilities fail to carry him through, exclaims
that it was not his fault, but an extraordinary and unforeseen
fatality.
On the death of Pius III, in 1503, Machiavelli was sent to Rome to
watch the election of his successor, and there he saw Cesare Borgia
cheated into allowing the choice of the College to fall on Giuliano
delle Rovere (Julius II), who was one of the cardinals that had most
reason to fear the duke. Machiavelli, when commenting on this
election, says that he who thinks new favours will cause great
personages to forget old injuries deceives himself. Julius did not
rest until he had ruined Cesare.
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