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"Why, that picture that Morgan wants. It's hanging in that
pawnshop, behind the desk. I didn't say anything because Klein
was there. It's the article sure as you live. The girls are as natural
as paint can make them, all measuring 36 and 25 and 42 skirts, if
they had any skirts, and they're doing a buck-and-wing on the
bank of a river with the blues. What did Mr. Morgan say he'd give
for it? Oh, don't make me tell you. They can't know what it is in
that pawnshop."
When the pawnshop opened the next morning me and Silver was
standing there as anxious as if we wanted to soak our Sunday suit
to buy a drink. We sauntered inside, and began to look at watch-chains.
"That's a violent specimen of a chromo you've got up there,"
remarked Silver, casual, to the pawnbroker. "But I kind of enthuse
over the girl with the shoulderblades and red bunting. Would an
offer of $2.25 for it cause you to knock over any fragile articles of
your stock in hurrying it off the nail?"
The pawnbroker smiles and goes on showing us plate watch-chains.
"That picture," says he, "was pledged a year ago by an Italian
gentleman. I loaned him $500 on it. It is called 'Love's Idle Hour,'
and it is by Leonardo de Vinchy. Two days ago the legal time
expired, and it became an unredeemed pledge. Here is a style of
chain that is worn a great deal now."
At the end of half an hour me and Silver paid the pawnbroker
$2,000 and walked out with the picture. Silver got into a cab with
it and started for Morgan's office. I goes to the hotel and waits for
him. In two hours Silver comes back.
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