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From the first Helen felt a marvelous and compelling thrill in the
presence of this man. His voice somehow took her swiftly back to
the days of her youth's romance. This feeling grew, and she gave
way to it, and it led her to an instinctive belief that he had been a
factor in that romance. And then with a woman's reasoning (oh,
yes, they do, sometimes) she leaped over common syllogism and
theory, and logic, and was sure that her husband had come back to
her. For she saw in his eyes love, which no woman can mistake,
and a thousand tons of regret and remorse, which aroused pity,
which is perilously near to love requited, which is the sine qua
non in the house that Jack built.
But she made no sign. A husband who steps around the corner for
twenty years and then drops in again should not expect to find his
slippers laid out too conveniently near nor a match ready lighted
for his cigar. There must be expiation, explanation, and possibly
execration. A little purgatory, and then, maybe, if he were
properly humble, he might be trusted with a harp and crown. And
so she made no sign that she knew or suspected.
And my friend, the reporter, could see nothing funny in this! Sent
out on an assignment to write up a roaring, hilarious, brilliant
joshing story of--but I will not knock a brother--let us go on with
the story.
One evening Ramonti stopped in Helen's hall-office-reception-room
and told his love with the tenderness and ardor of the
enraptured artist. His words were a bright flame of the divine fire
that glows in the heart of a man who is a dreamer and doer
combined.
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